tag:blogger.com,1999:blog-46007711868616846222024-03-14T06:27:04.294+08:00劉文翼 本站作者筆名劉文翼/ Victor,小四開始愛上電影,高中開始為了探究觀眾口中的電影好壞,開始試著研究電影藝術。東吳大學文學碩士,發表過單篇論文〈《說岳全傳》在清代的流傳研究〉及畢業學術論文《尹會一、尹嘉銓著述禁毀研究》。喜歡以電影色彩學、電影符號學或電影敘事解構電影文本,並和大家分享交流電影觀點。
邀稿、合作提案與試映邀約等請來信:ty84410@gmail.com文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.comBlogger145125tag:blogger.com,1999:blog-4600771186861684622.post-63238540203061436432020-03-31T13:48:00.000+08:002020-03-31T14:00:26.749+08:00奧斯卡配樂大師:亞歷山大戴斯培-大師的手痕<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1TL7JJwRRSadX8KE8cVnJHAK66l93cxDRFsQPuVF_4FcA_jX2iIApc-C1rDQxTLighz4hTlWXKKrpk8vNhRjDtvoBQzMNjGejzeV4sCCO2M_37FGaNqIdshQ9l9D5erUYryaPmcMuK6Y/s1600/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1TL7JJwRRSadX8KE8cVnJHAK66l93cxDRFsQPuVF_4FcA_jX2iIApc-C1rDQxTLighz4hTlWXKKrpk8vNhRjDtvoBQzMNjGejzeV4sCCO2M_37FGaNqIdshQ9l9D5erUYryaPmcMuK6Y/s400/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" width="400" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 《奧斯卡配樂大師</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">亞歷山大戴斯培》和《聲入</span>奇<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">境:電影配樂大師》皆為佩斯卡庫諾(</span><span lang="EN-US">Pascale Cuenot</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)所製作與執導的紀錄片,也就是說兩部紀錄片系出同源,擁有血緣關係。《聲入<span style="font-family: "Times New Roman";">奇</span>境:電影配樂大師》以囊括多名配樂大家展開配樂創作的深度論述,《奧斯卡配樂大師</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">亞歷山大戴斯培》則縮小範圍至亞歷山大戴斯培(</span><span lang="EN-US">Alexandre Desplat</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的創作歷程。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCGZqo8TKHT1lnWKCxQLRA_GdCJztZ-hpDfTMKk1zkeOZsfBAiBMfud93grE64-I4RXVfWJbHlQazVKeVToxOgfFlU-kKa9fSk3MH6gyHY61UqLJdkkNNU8ouAgYVWnGft_ILNNNznZnQ/s1600/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCGZqo8TKHT1lnWKCxQLRA_GdCJztZ-hpDfTMKk1zkeOZsfBAiBMfud93grE64-I4RXVfWJbHlQazVKeVToxOgfFlU-kKa9fSk3MH6gyHY61UqLJdkkNNU8ouAgYVWnGft_ILNNNznZnQ/s400/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 主題縮小之後,佩斯卡庫諾反而更能有條理的爬梳單一配樂創作者的創作生涯之起始,以及單一作家創作方式與心路歷程,雖然部分內容與《聲入其境:電影配樂大師》有些重疊,卻不失為可作為彼此互相參看的資料。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 佩斯卡庫諾的《奧斯卡配樂大師</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">亞歷山大戴斯培》片長僅一個小時,卻是一部極為精彩且完整的紀錄片。</span>精彩之處是佩斯卡庫諾將全片結構上分為兩大觀看重點,一是創<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">作者自身的面向,以及創作與作品的面向。</span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 創作者自身的面向,佩斯卡庫諾首先從亞歷山大戴斯培的角度,細膩呈現他創作配樂的方式,接著藉由亞歷山大戴斯培的合作對象,了解亞歷山大的工作與創作方式。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVfSBM-CDsqqHnl3WNHL_K7EHJpdTxvrJcNTsYiezmVFCITBtvkTsskezsAOMk-rvpjK_B235Sb2MqhxxsKPLc8OL4Rfvy9OCT2yUJEsD15O50vNTavc5mJxnVEpn3OAlCn616a_2VbCk/s1600/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVfSBM-CDsqqHnl3WNHL_K7EHJpdTxvrJcNTsYiezmVFCITBtvkTsskezsAOMk-rvpjK_B235Sb2MqhxxsKPLc8OL4Rfvy9OCT2yUJEsD15O50vNTavc5mJxnVEpn3OAlCn616a_2VbCk/s400/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 亞歷山大戴斯培是一名極度熱愛工作的配樂家,他透過觀看影片多次,了解配樂和電影結構的關係,也藉由吸收與了解他人作品的方式,加強了自身的創作。而且創作本身就與創作者的經歷有十分深刻的關聯。在訪談中,筆者首次得知戴斯培除了曾接受古典音樂的訓練之外,從小便浸淫在希臘音樂、深受姊姊學校樂團的影響,愛上銅管樂器,也因此一路帶領戴斯培走上了電影配樂這條路。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而在導演佩斯卡庫諾在片中專訪了經紀人、多年來的合作對象魏斯安德森(</span><span lang="EN-US">Wes Anderson</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)、佛朗羅埃米里奧斯利(</span><span lang="EN-US">Florent-Emilio
SIRI</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)、喬治庫隆尼(</span><span lang="EN-US">George Clooney</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)、羅曼波蘭斯基</span>(Roman Polanski)<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">等導演。透過訪談不只知道戴斯培的才華,他以溫和的態度處理與導演創意觀念上的殊異、他在指揮樂團時不會停止、他在短時間內寫好一首曲子,幾乎是讓觀眾得以完整的深入亞歷山大戴斯培的創作歷程與創作場域。透過亞歷山大戴斯培的訪談,以及他人對戴斯培的觀點,讓觀眾深入一覽亞歷山大戴斯培成為大師的創作之路。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXEdRODyWRp72NnhJ7nzFkbudlP5eMSxVZMu2ZUlSps6wX30tWMR8Qs7VBdJ8wkih6Hb_Hc2CzDLwzzLFQNw_YBlekQ-yCljXM9e8gedS9QNHk6w-1tiep697yz38JaBa3k8RBPpflfcI/s1600/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXEdRODyWRp72NnhJ7nzFkbudlP5eMSxVZMu2ZUlSps6wX30tWMR8Qs7VBdJ8wkih6Hb_Hc2CzDLwzzLFQNw_YBlekQ-yCljXM9e8gedS9QNHk6w-1tiep697yz38JaBa3k8RBPpflfcI/s400/%25E3%2580%258A%25E5%25A5%25A7%25E6%2596%25AF%25E5%258D%25A1%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25EF%25BC%259A%25E4%25BA%259E%25E6%25AD%25B7%25E5%25B1%25B1%25E5%25A4%25A7%25E6%2588%25B4%25E6%2596%25AF%25E5%259F%25B9%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+05.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而在創作與作品面則具體呈現電影與作品的片段,目的是讓觀眾能更清楚配樂與影像之間的互動關係。而亞歷山大戴斯培非常擅於利用配樂勾引出潛藏在鏡頭下的戲劇張力。如強納森葛雷澤(</span><span lang="EN-US">Jonathan Glazer</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)執導的《靈異緣未了》,亞歷山大戴斯培以較有溫度的配樂,經營片頭呈現凜冽寒冬的公園跑步戲。在一冷一熱的對比與融合之下,促使畫面開始飽含了極具趣味的張力。再如導演吉爾布都(</span>Gilles Bourdos<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在《印象雷諾瓦》呈現畫面的暖陽,少女騎車經過時,路旁男性投以異樣的眼神。而亞歷山大戴斯培以令觀眾感到些許不舒服、略帶破碎的小提琴音樂增強了畫面裡的不安感,營造了一種山雨欲來風滿樓的戲劇張力。如果觀眾曾細細品味舉凡《色.戒》、《歡迎來到布達佩斯大飯店》、《水底情深》或是《她們》中,亞歷山大戴斯培的音樂和影像彼此間的化學作用,便會發現亞歷山大戴斯培運用音符的才華與奧妙之處。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 佩斯卡庫洛在《奧斯卡配樂大師</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">亞歷山大戴斯培》將紀錄片聚焦在單一創作者身上,以創作者與作品兩大面向作為經緯,詳細梳理了創作者與作品密不可分的關係,又輔以珍貴的幕後製作畫面與現場演奏畫面,使得這部紀錄片更加難能可貴。雖然全片片長僅</span><span lang="EN-US">62</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">分鐘,並未多方面呈現亞歷山大戴斯培在創作路上,曾遭遇完全被拒絕與否定的痛苦掙扎面向,卻也已完整呈現一名奧斯卡得主的不凡之處了。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:
<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-18741732391391737342020-03-25T14:42:00.000+08:002020-03-26T11:04:47.084+08:00梨泰院Class-突破與限制<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkEobR1QGtaTDD1vqNdhFiaKGdrP-s4AJ4GnEEdWFfi8QpgV8M8yDDCe_T1Etfe38LyszgUYk4OlU0I2UK5dSvKVEcMbWuNUVULUN_c23XSVtiMAUavUojSfqEOoeCFTXjE5O3N06-2ZU/s1600/20200207_140048_9364.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="864" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkEobR1QGtaTDD1vqNdhFiaKGdrP-s4AJ4GnEEdWFfi8QpgV8M8yDDCe_T1Etfe38LyszgUYk4OlU0I2UK5dSvKVEcMbWuNUVULUN_c23XSVtiMAUavUojSfqEOoeCFTXjE5O3N06-2ZU/s400/20200207_140048_9364.jpg" width="400" /></a></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<br /></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<br /></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 當初觀賞《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》時,主要是想看看一部打著突破傳統韓劇框架的新品種韓劇會是什麼樣子。</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><span style="font-family: "helvetica" , "arial" , sans-serif; font-size: 15px; white-space: pre-wrap;">結果驚喜發現整部《梨泰院Class》包藏著導演金成允和編劇趙光真</span>(同時也是原著漫畫作者)的企圖心。他們在劇中試圖呈現韓國由財團掌握社會資源、韓國社會對變性人與外國人的種族歧視,甚至刻劃一名曾坐過牢、充滿報復心的不完美主角等等。</span></div>
<a name='more'></a><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span><br />
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUfApXiuL9lXbp1DPjMFa-f7b1J8p0AYRTVk0kGwVQgo32ZUl48OgqK3gNRYtN9_URPZn46o9iHZE5OeTJvJ94chygEQP-LAC1m2ysS188InXimDO9ffNZJsguCxZhbs7qb-JY_WX_wx8/s1600/20200218_104623_5627.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="864" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUfApXiuL9lXbp1DPjMFa-f7b1J8p0AYRTVk0kGwVQgo32ZUl48OgqK3gNRYtN9_URPZn46o9iHZE5OeTJvJ94chygEQP-LAC1m2ysS188InXimDO9ffNZJsguCxZhbs7qb-JY_WX_wx8/s400/20200218_104623_5627.jpg" width="400" /></a></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 劇本在看似是披著小大衛對決巨人歌利亞的商業對決外衣之下,其實《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》的故事內涵依舊是家庭通俗劇。劇中取名為甜栗(其實翻作「甜夜」較適當)的小餐廳,可將其視作家庭的符碼。這間餐廳是店長朴世路歷經家庭破碎後,急欲重新整合家庭的樣貌。做為一名店長,也就是家庭裡的大家長,他在一路上為了對抗使他家庭破碎的長家,他和崔昇權、馬賢利建立了基礎的家庭模式,此後隨著趙以瑞、張根秀與金東尼的加入,再加上李虎進、強慜挺、吳秉憲等外援後,家庭的樣貌逐漸趨於完整。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 尤其前面數集在整合甜栗各成員的利益互斥之過程,例如趙以瑞與馬賢利的衝突矛盾、崔昇權的爆裂性格、東尼的種族衝突與尋根之旅等問題後,所有的成員最後都因為認同朴世路對抗長家的決心與目標,而逐漸使得這個家庭的樣貌趨於完備。其中朴世路有別於長家,不斷主張「<b>人</b>」與「<b>信任</b>」的信念更是維繫甜栗這個大家庭的主要原因。而此信念完全符合《論語.顏淵》中所言「<b>民無信而不立</b>」的思想精髓。正因為成員間對朴世路的認同,家庭成員才能在達成共識的情況下,幫助朴世路達到推倒長家的最終目的。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3v099mtL8tyZBghzcEqkKi-1Ebh_37I4g634QhiPe67JRgMca4WAmcMyNo85hGTd1y-9EmfVAwUptRt7S5K5TNbJIMgfgWdsbZC7R53vQbt4Ur1rMGiSQlqwNWNvdWrlCfTtiSD1Myfk/s1600/20200302_174730_3248.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="864" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3v099mtL8tyZBghzcEqkKi-1Ebh_37I4g634QhiPe67JRgMca4WAmcMyNo85hGTd1y-9EmfVAwUptRt7S5K5TNbJIMgfgWdsbZC7R53vQbt4Ur1rMGiSQlqwNWNvdWrlCfTtiSD1Myfk/s400/20200302_174730_3248.jpg" width="400" /></a></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》讓我最喜歡,同時也最有趣的是孫賢周飾演的父親朴成悅這名角色。他在劇本中的作用,如同《小太陽的願望》裡亞倫阿金(</span><span lang="EN-US" style="background: white; color: #3c4043; font-family: "arial" , sans-serif; font-size: 10.5pt;">Alan Arkin</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">)飾演的爺爺。雖然戲份很少,但是朴成悅的離世卻是不斷支持朴世路朝目標邁進的主要原因之一,同時也在文本背後成為推動主要劇情持續前進的隱性因素。尤其利用酒的苦澀與甘甜作為符號,成為朴世路與已逝父親間最為動人的思念情懷與情感牽絆了。尤其當劇末藉由朴世路昏迷的過程,見到始終放不下兒子的父親,和朴世路再次度過生命中最後的暖陽、走過生命中最後一段路以及最後一次道別,展現天下兒女心的癡情本色,難以不感動人心。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 然而《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》的缺點卻也十分顯著,可以說是完全凸顯金成允與趙光真功力上的不足。比如甜栗要成為全國餐飲業的龍頭,必然要將他的領導信念擴及全國。尤其做為一間餐廳的崛起故事,以食物的美味來服人、推動劇情就是《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》所應該要做到的事。然而在這齣劇裡,食物似乎只在馬賢利的電視節目競賽裡發揮作用而已,並不是推動多數劇情發展的重要元素,實在可惜。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3pi8FexQR0yH1Ff4dTo30kALzUPAFJq4NYVsCARNMOIvR7YpZGU4rsxugveP7XkJuzsCiCXsQavbVbXeC5ubK-74oBUQPpoJKoykNwK6xOuj8unB4qjPL65p7yPg_1z1OhluXEY8GnA0/s1600/20200309_185843_4735.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="864" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3pi8FexQR0yH1Ff4dTo30kALzUPAFJq4NYVsCARNMOIvR7YpZGU4rsxugveP7XkJuzsCiCXsQavbVbXeC5ubK-74oBUQPpoJKoykNwK6xOuj8unB4qjPL65p7yPg_1z1OhluXEY8GnA0/s400/20200309_185843_4735.jpg" width="400" /></a></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 可以理解的是,整齣劇之所以吸引觀眾的原因,在於每一集裡都塞滿了戲劇衝突,並以此快速推動劇情發展。觀眾可以跟著甜栗的成員一起歡笑與流淚,可以因為長家的齷齪手段而咬牙切齒,但是有時編劇與導演為了替戲劇衝突收尾,使用了太多的巧合。比如趙以瑞多次遭遇危機,都剛好遇到朴世路從半路冒出來搭救、當甜栗的主要投資人撤資,餐廳附近收高利貸的大嬸金美京,很巧合的是有實力介入幫助朴世路的助力等等。善用巧合可以適當的增強戲劇衝突、營造高潮。但是過多的巧合卻也會因為戲劇感過於強烈而與現實脫節,這是亞洲連續劇常常讓人詬病之處。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 再者,整齣劇的角色塑造其實並不夠完整。長家的主要反派角色張大熙與張根源的性格塑造過於平面,一路壞到底又毫無正面優點。再說,張大熙除了善於使出令人不齒的手段除掉競爭對手之外,長家成為餐飲龍頭的原因,除了本身販售的料理十分美味,似乎也沒其他成功的秘訣,顯然也不符合現實世界大企業的眾多成功法則。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQZNSaI-AiVkv9Xgz4W-DgkOw1ngdqow6o07WL1PTvKYlSSCae9fou0oltNlHY2zOFxZcuZKreDDujzT448HMXIzDlpsDKTb0qx30GIb9t1bTNWQy6kEDuIbaecrz2sJmG-FRQ7O3q-pc/s1600/20200302_180410_3253.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="864" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQZNSaI-AiVkv9Xgz4W-DgkOw1ngdqow6o07WL1PTvKYlSSCae9fou0oltNlHY2zOFxZcuZKreDDujzT448HMXIzDlpsDKTb0qx30GIb9t1bTNWQy6kEDuIbaecrz2sJmG-FRQ7O3q-pc/s400/20200302_180410_3253.jpg" width="400" /></a></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><br /></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 趙以瑞的角色塑造十分突出與亮眼,但卻不見得真正展現該角應有的特徵。趙以瑞甫出場便交代她是具有高智商與反社會人格的青少女,為了追尋朴世路的愛,上演了卓文君與司馬相如的私奔戲碼,不同的唯有朴世路當初並未愛上趙以瑞。然而在高智商的呈現上,金成允與趙光真只呈現了趙以瑞的行銷手腕,其餘的僅<span style="font-family: "helvetica" , "arial" , sans-serif; font-size: 15px; white-space: pre-wrap;">止</span>於反制長家的商業操作能力。可是這些技能,現實社會中大企業的主管或是管理部門大多也具備了相關能力,難以確實的展現趙以瑞的與眾不同。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 而且劇本在越接近劇末時,問題反而更加嚴重。比如全劇以朴世路充滿熱血的復仇為主幹,最後甜栗的諸位同伴非但不是最後扳倒長家的重要人物,壓垮長家的最後一根稻草的反而是一心想報答朴成悅恩情的吳秀娥。更何況吳秀娥從頭到尾都不是朴世路扳倒長家的計畫之一,顯得長家垮台的原因在最後令人十分錯愕。之所以這樣設計吳秀娥的角色,只是要讓她在劇本裡發揮前半段劇情裡從未有過的實質作用罷了。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; mso-pagination: widow-orphan;">
<span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"> 總而言之金成允與趙光真在《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》中勇於嘗試突破韓劇的窠臼,讓《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》似乎流著奉俊昊針砭社會問題的血,但是在社會問題的呈現上卻也只點到為止。在導演與編劇野心過於龐大與功力不足的情形下,《梨泰院</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;">Class</span><span style="color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;">》反而凸顯出過多除了戲劇張力之外的問題,明顯而難以忽視,著實可惜。</span><span lang="EN-US" style="color: #1c1e21; font-family: "inherit" , serif; font-size: 11.5pt;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照取自:</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><a href="http://tv.jtbc.joins.com/photo/pr10011148/pm10056786">http://tv.jtbc.joins.com/photo/pr10011148/pm10056786</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-91698124399289754172020-03-17T14:45:00.000+08:002020-03-17T14:45:04.243+08:00聲入奇境:經典配樂大師-配樂創作論<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqUptJn2fgsG8M7L1nmWs7BEcnIaour_joDB6v2Zj7nPp92g6o45fa8apGUfviAsMNtMb7jzdlQVst_m8DMhkksSngDrUxmOSYa_awUvjC6IfXGM8xnx-BS38Ctm-5H-8ES_Yah-YwM88/s1600/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqUptJn2fgsG8M7L1nmWs7BEcnIaour_joDB6v2Zj7nPp92g6o45fa8apGUfviAsMNtMb7jzdlQVst_m8DMhkksSngDrUxmOSYa_awUvjC6IfXGM8xnx-BS38Ctm-5H-8ES_Yah-YwM88/s400/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> </span><span lang="EN-US">2018</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年臺灣引進了《電影配樂傳奇》。這部紀錄片對影迷而言簡直是不可多得的禮物。因為作為一部紀錄片,《電影配樂傳奇》淺顯易懂的,還將大多影迷耳熟能詳的經典配樂納入其中,並加入了好萊塢配樂的時代變遷史。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 但以創作面的論述而言,《電影配樂傳奇》僅提出了母題的概念,也就是整部電影不斷重複的配樂主題,並讓觀眾印象深刻、朗朗上口的曲調。而今年的《聲入奇境</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">經典配樂大師》則改從法國配樂家的角度切入,以放諸四海皆準的創作論為全片主題。相較於《電影配樂傳奇》而言,導演佩斯卡庫諾(</span><span lang="EN-US">Pascale Cuenot</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的敘事策略相當不同。他的做法是直接切入這群法國配樂家創作配樂的內心世界,以各種不同面向呈現「創作」這件事,娓娓道出電影配樂的創作之路。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeFLBBvTfdk-bUmgadDZoT4y4CbCxhCujauEOJXOUxbg0zsGfar48Z07DO5KCjkgk8tV2RaeSxW0TeqQOS7Vn0DrBIoqsxMq5Fb1m7zjOzeoq6DvukKRWhGGCbDmfphiEhB9WCTQ6dtRM/s1600/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeFLBBvTfdk-bUmgadDZoT4y4CbCxhCujauEOJXOUxbg0zsGfar48Z07DO5KCjkgk8tV2RaeSxW0TeqQOS7Vn0DrBIoqsxMq5Fb1m7zjOzeoq6DvukKRWhGGCbDmfphiEhB9WCTQ6dtRM/s400/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+09.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 電影配樂家的任務是為電影注入有別於影像呈現的另一種面貌。在《電影配樂傳奇》中,片頭便明言電影配樂猶如電影的靈魂,比喻得相當貼切。尤其配樂又猶如電影的性格,配樂家根據電影本身打造的音樂,必須貼合電影的核心與文本。音樂必須要悄悄地順著故事的發展滑入畫面中,在某些必要的關鍵劇情時刻,它必須勾起觀眾的情緒,引導觀眾融入導演的敘事之中,又不能夠過於張揚自身的存在。它在影像上的服貼程度,必須與影像相輔相成,達到一定程度的加分作用。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 《毛詩序》曾言:「</span><span style="font-family: 標楷體;"><b>情發於聲,聲成文謂之音。</b></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">」雖是在講述《詩經》的創作,創作者的思想與情感訴諸於文字時,便化成一篇詩作。音樂同樣作為作曲者情感的表達工具,尤其電影配樂又有足以影響觀眾情緒的力量,和《毛詩序》的創作面的探討而言,實則相差無幾。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9GebYdF8f5wge8F6GNKCG2LzsXEJ-iNTXqWFCcUFwIFaBO-mjiAjFF-sNu67WruhDzxu9w9AsUeAXKMqcD774YdT_yyFMn4TWC18r5-hpJyuKCetRNhGLPszxU0V5CFLM3wTeFNioJss/s1600/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9GebYdF8f5wge8F6GNKCG2LzsXEJ-iNTXqWFCcUFwIFaBO-mjiAjFF-sNu67WruhDzxu9w9AsUeAXKMqcD774YdT_yyFMn4TWC18r5-hpJyuKCetRNhGLPszxU0V5CFLM3wTeFNioJss/s400/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 當電影配樂作為創作的形式,一部電影該在哪裡加入配樂,又應該在哪裡讓音樂淡出、配樂和影像同時並行時,又該在何時加入新的樂器聲,藉此打破觀眾的聽覺認知、又或者該如何利用音符創作出屬於電影的主題,亦或是做為某一個情境、角色性格或心境、角色間情感流動或對話的專屬音樂,這些都在在的考驗了電影配樂創作者的能力。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 佩斯卡庫諾在《聲入奇境</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">經典配樂大師》裡,從九名法國知名配樂家、導演、音效師等人的角度,深入的剖析電影配樂的創作方式、配樂家的創作心路歷程,甚至是與導演意見相左時的狀況等。讓觀眾在觀賞《聲入奇境</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">經典配樂大師》時,能夠更加深入的了解配樂家創作經典音樂或旋律的時刻,是以怎樣的方式去發想創意,如《時空攔截》的父子重逢的動人片刻,如何用音符暈染影像上的情感流動、《柔膚》又是如何透過音樂勾勒出角色進入房間過程時,情慾的流動等等。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2WFzA22F_auCYt1I8cg7o1wKSmto_2w_98vJ01QWCKeXPGzbhVFVhQWfiTbvcoRMekrdKcxIPdmISjNyRPHEubSWJb6En5JUfViYPRpO3gLyNNHdq32o1goTed4b3SsmWCGzZ3ZsqeLA/s1600/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2WFzA22F_auCYt1I8cg7o1wKSmto_2w_98vJ01QWCKeXPGzbhVFVhQWfiTbvcoRMekrdKcxIPdmISjNyRPHEubSWJb6En5JUfViYPRpO3gLyNNHdq32o1goTed4b3SsmWCGzZ3ZsqeLA/s400/%25E3%2580%258A%25E8%2581%25B2%25E5%2585%25A5%25E5%25A5%2587%25E5%25A2%2583%25EF%25BC%259A%25E7%25B6%2593%25E5%2585%25B8%25E9%2585%258D%25E6%25A8%2582%25E5%25A4%25A7%25E5%25B8%25AB%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 不僅如此,佩斯卡庫諾還透過配樂家的專訪及些許珍貴的紀錄影像,揭露出配樂家在創作上的掙扎與無奈,如湯瑪斯紐曼在《永不妥協》的音樂大獲成功後,被多次要求做出相似的主題旋律,完全是扼殺創作者的才華、亞歷山大戴斯培(</span><span lang="EN-US">Alexandre Desplat</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在製作《大尋寶家》配樂時,如何處理和導演喬治庫隆尼(</span><span lang="EN-US">George Clooney</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在創作上的認知差異等。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 此外,本片中亦不乏曾讓影迷感動的樂曲重現,舉凡《巴黎野玫瑰》柔情纏綿、《阿拉伯的勞倫斯》的滾滾黃沙、《衝擊效應》的情感糾結、《春風化雨》面臨告別的淚眼婆娑及《不可能的任務》刺激腎上腺素的血脈噴張等。只要你是資深影迷,一定會受到這些音符的召喚,回到當初觀影時的動人時刻。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 佩斯卡庫諾在短短的</span><span lang="EN-US">90</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">分鐘裡,帶領影迷進入時光隧道,全面剖析經典配樂的創作點滴。對於熱愛在浩瀚電影片海裡,透過拾取音符回味感動時光的影迷而言,《聲入奇境</span><span lang="EN-US">:</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">經典配樂大師》就是一部能深入了解配樂歷程的重要作品。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-30066280125072973702019-12-27T15:25:00.001+08:002019-12-27T15:38:32.914+08:00幸福試用期-雪景的溫度<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk1sG4QmK0Dntj7hTbD7wcAtYMiSE6XHClepOkIXjhyK-GL_4GsXiwc4YNJuXqzDx4-P6kfvbxT-EFCMMPx5Vrx-eKuE-UvWXQLZNk0LshO1aWB16ZB8AbPm1Hstw-m7X5X2GdjkhLPow/s1600/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk1sG4QmK0Dntj7hTbD7wcAtYMiSE6XHClepOkIXjhyK-GL_4GsXiwc4YNJuXqzDx4-P6kfvbxT-EFCMMPx5Vrx-eKuE-UvWXQLZNk0LshO1aWB16ZB8AbPm1Hstw-m7X5X2GdjkhLPow/s400/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+03.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 一名孩子的原生家庭背景,會對新家庭造成多少傷害?阿根廷導演卡洛斯索林(</span><span lang="EN-US">Carlos Sorin</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">),在《幸福試用期》中將故事聚焦在某處偏遠小鎮裡一間膝下無子的小家庭。以略為沉緩的步調和寫實的場景,一步步的由小見大,建構出主角家庭乃至於小鎮的生活圖景。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD-zSaq0_Ywlky6vDv0g3k_bOC2q6cVcKRv1YFxxdMFrnjZPL6UgRdy4h5IYvRB8Ftd31HMf6SNj2Nt13sWgv93ieSgE4YumIB20dgVquBL5urx_17ZqUwDJK-uy4ILPiZBaijC4nVCj8/s1600/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD-zSaq0_Ywlky6vDv0g3k_bOC2q6cVcKRv1YFxxdMFrnjZPL6UgRdy4h5IYvRB8Ftd31HMf6SNj2Nt13sWgv93ieSgE4YumIB20dgVquBL5urx_17ZqUwDJK-uy4ILPiZBaijC4nVCj8/s400/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+02.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 卡洛斯索林在電影開頭以希西莉亞(</span><span lang="EN-US">Cecilia</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)急切前往尋找狄耶哥(</span><span lang="EN-US">Diego</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">),並告知他領養消息作為電影開場。也因為卡洛斯索林的第一場戲,觀眾大約可知曉狄耶哥的工作,同時揭露故事發生在皚皚白雪的冬季。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 這起手式看似平凡,實則交代了幾項重要訊息。第一是開場便揭示白雪、冬季與寒冷,氣候的冰冷和希西對於領養孩子的興奮以及希望成了相反的對照。第二是狄耶哥的的工作關乎到家庭的生計,雖是繁重的粗活卻從不言苦。第三是卡洛斯索林藉由前兩項訊息作為電影後半段的鋪墊,一方面引出狄耶哥老闆的兒子在鄉村學校就讀,促使狄耶哥對小鎮居民的妥協與退讓的動機,有了其來有自的道理。另一方面小鎮居民對於小喬流言的自我保護機制,凸顯出居民對希西家的冷淡、冷血與冷漠,達成了以季節雕塑居民態度的隱喻書寫。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 電影裡最為重要的訊息來自於「<b>家庭</b>」這項符碼。從電影開場希西與狄耶哥的興奮之情,不難理解即將能夠領養到的小孩對他們而言是何等的重要,幾乎可以使「<b>家庭</b>」的符碼得以完整。但夫妻倆所忽略的是領養管道為「<b>少年法庭</b>」,這名被領養的孩子在教養與人格上必定會有所偏差。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqpqS1Yy6rAhxipkiBW-fRM5WUdr2TqQwAQHrX2OXMiSJV7dWNNMCvgbNcZJvX7cwJFKXecpQmf2UVppIrXSv8SVx6nl8NQKzh_jaexZhUJr2MkKBZUZ6QUuB23Ii0XmvBA34kc5vuYu4/s1600/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqpqS1Yy6rAhxipkiBW-fRM5WUdr2TqQwAQHrX2OXMiSJV7dWNNMCvgbNcZJvX7cwJFKXecpQmf2UVppIrXSv8SVx6nl8NQKzh_jaexZhUJr2MkKBZUZ6QUuB23Ii0XmvBA34kc5vuYu4/s400/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 也就是說,對希西與狄耶哥而言,他們期望被領養的男孩小喬(</span><span lang="EN-US">Joel</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)可以成為家庭結構的救贖者,但小喬最後卻成為闖入者。且非但只是家庭的闖入者,也成為小鎮居民避之唯恐不及的闖入者。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 小喬並非小鎮原生成長的孩子,再加上生活在充滿犯罪的家庭中,增添他與世俗文化所認定的「<b>正常小孩</b>」有了極大的差異。這份差異成為貫穿整部電影衝突的主軸。有趣的是卡洛斯索林善用了這層衝突,一方面擊碎了家庭和平的表象,挖掘出希西的憤怒反抗和狄耶哥忍讓屈從的態度差異,另一方面卻也一把扯出小鎮表面和平的真相,讓趨於保守的排外心態得以現形。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 居民的恐懼其來有自。當小喬對犯罪描述得十分生動,流言遂如病毒般迅速傳播。正如《詩經.鄭風.將仲子》末句所云:「<b>人之多言,亦可畏也。</b>」小喬所說的犯罪事實其實是過去撫養他的舅舅,但在流言傳佈過程中,犯罪成為小喬曾經做過的事。當事實經過重重曲解後,小喬不只是犯罪的化身,希西更成為居民的眾矢之的。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilB3IBXe2hN32VhBO_19YU3w7UwL0H5Jp8-R8MrRXz_MXJfeRol1nxeW6QpjODgHcQFIy2uZ-UvvWhEgPpVi7TIkXuPK5-d9uvItIgyWVyO93ButZCqV5C-b_AyUVw-cgSQtmR5sQ878g/s1600/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilB3IBXe2hN32VhBO_19YU3w7UwL0H5Jp8-R8MrRXz_MXJfeRol1nxeW6QpjODgHcQFIy2uZ-UvvWhEgPpVi7TIkXuPK5-d9uvItIgyWVyO93ButZCqV5C-b_AyUVw-cgSQtmR5sQ878g/s400/%25E3%2580%258A%25E5%25B9%25B8%25E7%25A6%258F%25E8%25A9%25A6%25E7%2594%25A8%25E6%259C%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 不過,小鎮中唯有被收養經歷的菲利(</span><span lang="EN-US">Fili</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)母親處於中立立場,她同情希西的遭遇卻難以違逆丈夫及小鎮居民,她宛如眾人皆睡我獨醒般的角色,犀利的點破小鎮居民因恐懼而產生的社會歧視心態。且該角似乎也是小鎮中僅存的「<b>良心</b>」代表,諷刺的是她也並非小鎮原生成長的居民。也正因為如此,菲利母親又和小喬成為另一組形象上的對比。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而且當卡洛斯索林在探討愛與家庭的本質之時,也帶出了愛的不同方式。狄耶哥的退讓是兩害相權取其輕的的做法。是為大局著想的愛。而希西則是為了維護所愛而在所不惜的母愛天性。正因為希西的難以妥協,反而讓電影最後的倒轉車頭的鏡頭,併發出雪景下最令人感到揪心的親情溫度了。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:
<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-64783520998542855752019-11-29T17:19:00.001+08:002019-12-03T18:30:55.213+08:00 布紐爾 超現實人生-藏在鏡頭外的溫柔<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij_QyoxO27MTf8DDp8u1Q0bHcw6r3FwzsAn1hGuhk-U34xj7joTgKnhIrn-ruUVrYWyopa1nygxMQ8A_Z17TG0VUZ0CZc2-kCx6aOQUcOuKI4RAwkfsrJXcYWK9x795kppWtFmGw-lXSo/s1600/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij_QyoxO27MTf8DDp8u1Q0bHcw6r3FwzsAn1hGuhk-U34xj7joTgKnhIrn-ruUVrYWyopa1nygxMQ8A_Z17TG0VUZ0CZc2-kCx6aOQUcOuKI4RAwkfsrJXcYWK9x795kppWtFmGw-lXSo/s400/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+05.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 作為一名超現實主義的導演,路易斯布紐爾(</span><span lang="EN-US">Luis Buñuel</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在</span><span lang="EN-US">1929</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年起,便以《安達魯之犬》和《黃金年代》挑釁式的利用影像直指人類禮俗與社會的惺惺作態。他在《安達魯之犬》裡露骨的呈現刀鋒劃過眼球的血腥畫面,又在《黃金年代》裡呈現男女慾望的泉湧,批判了社會與教宗,無疑直球對決當時相對保守的社會及人民的道德觀,終致《黃金年代》在當時遭到禁演,布紐爾也遭到打壓。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 好萊塢的特效及動畫製作師薩爾瓦多西莫(</span><span lang="EN-US">Salvador Simó</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">),執起導演筒並擔任編劇,從《黃金年代》的映演遭到抵制開始,聚焦在布紐爾與製片拉蒙阿辛(</span><span lang="EN-US">Ramón Acín</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)拍攝紀錄短片《無糧之地》的幕後往事,以此建構出精采動人的《布紐爾 超現實人生》。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivx0nZqvW_hC-Mn7gdiQHTgDDBdlFMoE5JuAVoREGBCYnPmxx6Xk7mPWydcTpnvnFlPBZ3RB8PnsWlZHwNMpLMo-0dR1LhQLg_XkNYT25mOElcW55UXwgEPcXIY94uwAfSZoo78YmHg3A/s1600/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivx0nZqvW_hC-Mn7gdiQHTgDDBdlFMoE5JuAVoREGBCYnPmxx6Xk7mPWydcTpnvnFlPBZ3RB8PnsWlZHwNMpLMo-0dR1LhQLg_XkNYT25mOElcW55UXwgEPcXIY94uwAfSZoo78YmHg3A/s400/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 為了向布紐爾的超現實主義風格致敬,薩爾瓦多西莫在呈現布紐爾拍片過程中,飽受過往回憶、夢魘的糾纏,在這些超現實的夢境戲裡,薩爾瓦多呈現出童年對布紐爾往後創作手法的直接關聯性。宛如聖母的母親和總是不願面見兒子的父親,則間接表述了布紐爾引人非議的拍片動機和內心活動。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 母親之所以為聖母的形象,是因為在布紐爾的童年裡,母親永遠是作為最照顧與支持布紐爾的角色。而父親正是傳統家庭中的嚴父,他未曾真正的正面肯定過布紐爾,甚至當布紐爾利用投影機創造出讓人驚嘆的影像故事:《神奇島嶼大冒險》時,父親雖感到驚嘆,但當布紐爾以眼神尋求父親肯定時,父親卻冷漠的轉身便走。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii4lGPk1jBFtQGOcF_9UjAIQcyLDFUd_I4k0es8IYmmSHUq9m7V839j6qDTaVkdHFgRS8juvi2Gs7xM5EabfA-N3F0oZ6UgE_g-Ghdqx2ZizAOmfj8U95f5r8TvOqMHT4Rmd9UnxZNvQc/s1600/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii4lGPk1jBFtQGOcF_9UjAIQcyLDFUd_I4k0es8IYmmSHUq9m7V839j6qDTaVkdHFgRS8juvi2Gs7xM5EabfA-N3F0oZ6UgE_g-Ghdqx2ZizAOmfj8U95f5r8TvOqMHT4Rmd9UnxZNvQc/s400/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+10.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 也因此尋求父親的認同與肯定,成為布紐爾內心潛意識最渴望的事物。這層渴望也深深的種在布紐爾的心裡,而始終不願肯定認同兒子的冷酷父親背影,則幻化為最令布紐爾感到痛苦的夢魘,並以他最害怕的動物:雞的方式呈現。這道恐懼幻化而成的夢魘,不但形塑了他自我保護而攻訐世界的性格,或許也影響了他冷漠的拍片方式。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而拉蒙阿辛則在布紐爾的生命裡,成為取代父親的角色。在布紐爾遭到梵蒂岡的打壓與抵制、當薩爾瓦多達利(</span><span lang="EN-US">Salvador Dalí</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)不再願意資助布紐爾拍片時,拉蒙阿辛和他的彩券如同布紐爾生命中的浮木,撐起了他的希望。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 然而對於拉蒙阿辛而言,布紐爾為了呈現他所想拍攝的影像,不惜拉斷活雞頭、刻意開槍讓山羊驚嚇墜谷,甚至打破蜂巢讓觀眾藉由鏡頭目睹驢子活生生遭蜂群叮咬致死。這一切令人髮指、殘暴的拍攝方式,漸漸地將拉蒙阿辛從生命裡推開。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSOxyujJESTX0-Ck2XUd8tSQpkF8gaSKlbrPJFqkwnj8dlRVil6qU7vUcQ7WR4W4EwR5SxvvrveyG7emkdQeGgRHZnO5sQ91_BmhmFAPR5FJ_LK2WGHDy646dYiqbWDlBEDv_ba3dutGc/s1600/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSOxyujJESTX0-Ck2XUd8tSQpkF8gaSKlbrPJFqkwnj8dlRVil6qU7vUcQ7WR4W4EwR5SxvvrveyG7emkdQeGgRHZnO5sQ91_BmhmFAPR5FJ_LK2WGHDy646dYiqbWDlBEDv_ba3dutGc/s400/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 不過薩爾瓦多西莫並無意將布紐爾塑造成片場的獨裁者,他透過拉蒙阿辛窺視的視角,讓拉蒙阿辛重新認識並理解布紐爾拍片時的內心動機與活動,藉此整合布紐爾內心的缺憾。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而整部片裡最讓筆者喜愛的,是布紐爾在阿賽圖尼拉的孤兒學校的那場戲。布紐爾宛如遺世獨立的孤島性格,源自於內心抵抗缺乏父愛認同的心理,從而以冷漠對待質疑自己作品的人的性格,保護自己不再受到他人的否定而受傷。但是當那些同樣未曾被父母疼愛的孩子,爭相熱情的擁抱布紐爾時,布紐爾的靈魂受到了滌淨,他對孩子們的經歷產生了共鳴,那一抹藏在內心的溫柔,是即使他再次以冷酷武裝自己也隱藏不了的事實。而後段布紐爾關心身體不適而往生的女孩,又是他的心已被孩子融化的證明。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUdLe2QIfw2_OoIXhN94XkDwjhYvu6i1bk4c23s9beMurCJZGEDP_pv5N7n-uV5cB-7HbKsVjr47UAD_IoJlZG_uco0cPvtEAUH_Jh84sF5uUoOZt7ZvCRTZ9h6h2qAT1WXMiz0MZ-oWg/s1600/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUdLe2QIfw2_OoIXhN94XkDwjhYvu6i1bk4c23s9beMurCJZGEDP_pv5N7n-uV5cB-7HbKsVjr47UAD_IoJlZG_uco0cPvtEAUH_Jh84sF5uUoOZt7ZvCRTZ9h6h2qAT1WXMiz0MZ-oWg/s400/%25E3%2580%258A%25E5%25B8%2583%25E7%25B4%2590%25E7%2588%25BE+%25E8%25B6%2585%25E7%258F%25BE%25E5%25AF%25A6%25E4%25BA%25BA%25E7%2594%259F%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 薩爾瓦多西莫以《無糧之地》拍攝過程作為敘事核心,雜揉了布紐爾的童年、夢魘等作為影像的敘事層次,在致敬布紐爾的超現實風格之於,也一步一步地雕塑出布紐爾的生命軌跡,詮釋了布紐爾在鏡頭之外溫柔的一面,讓影迷對布紐爾的生命有了更多、更深刻的認識,成就了一部溫柔又動人的動畫作品。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-30399844609954011372019-10-25T16:46:00.001+08:002019-10-25T17:06:42.608+08:00為琴癡狂-執著的根源<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQvboH5xuUjC4ImM3CkcYBx3KJr3IWjrbaMaA6Swuw5FfhY9B-FZVd31CxL3OziwTcqmOe91Az_Wd5tquDyGQh_LIVzXngkGMS-Vvu26jt6GSSYQY5crAIjkeL_FPsLjf0Q5wxp838cmM/s1600/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQvboH5xuUjC4ImM3CkcYBx3KJr3IWjrbaMaA6Swuw5FfhY9B-FZVd31CxL3OziwTcqmOe91Az_Wd5tquDyGQh_LIVzXngkGMS-Vvu26jt6GSSYQY5crAIjkeL_FPsLjf0Q5wxp838cmM/s400/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_01.jpg" width="400" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 為了孩子的未來,為了填補心裡的空洞,你會願意付出多少代價?身兼製片、導演及編劇的伊泰塔爾(</span><span lang="EN-US">Itay Tal</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在《為琴癡狂》一片裡以艾娜(</span><span lang="EN-US">Anat</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)為敘事中心,完整呈現一個人如何被執著所牽引,以及隨著錯誤決定而陸續引爆的代價。</span></div>
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXzZqlzPgSF6q_0GZA5PI_66KWzHnP8unNgewPwEgObJ-vjodKPQp8OmACkDsXLOG5RFix8KrolEiuBYWOoN2moQjS5G_GTobOrH6jeIHHmT3lF_hvf-KKRWq-wuEkc7LlDsJ9OLzH580/s1600/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXzZqlzPgSF6q_0GZA5PI_66KWzHnP8unNgewPwEgObJ-vjodKPQp8OmACkDsXLOG5RFix8KrolEiuBYWOoN2moQjS5G_GTobOrH6jeIHHmT3lF_hvf-KKRWq-wuEkc7LlDsJ9OLzH580/s400/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_06.jpg" width="400" /></a></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在電影一開場的演奏會,艾娜的羊水雖然破了,她依然堅持將曲子彈完。這場戲一方面強調艾娜對音樂的熱情,另一方面卻也凸顯她對於音樂的執著。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 既然她對音樂如此重視,自然也希望孩子能夠完成自己未竟之業,這是眾多父母在教育上的做法。只是當她知曉剛出世的孩子聽力受損,等於完全斷送了她的期望與夢想。為了填補內心的缺憾,決定瞞著所有人上演「<b>狸貓換太子</b>」的劇碼。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在往後的日子裡,艾娜在努力栽培兒子之餘,也盡力將罪惡感從記憶裡抹去。但過去偷換孩子的事卻如影隨形,隱伏在艾娜生活的角落中伺機而動,包括無聲語言教學中心的廣告傳單、兒子依丹對音樂的敏銳度及音樂的品味殊異等等。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoTVepPbWvypXNSW31BCGbgkjAVgaacuQphKdwRPsffw5nQqPGOPHAbx3yOtx0xIl6vRm5V_vE1U0hv8bMDX63XyEvwic4g-7BFgEAJEwquR8V-AuZOHvTVYhTRMIedYn5vQYEXfwyJt4/s1600/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoTVepPbWvypXNSW31BCGbgkjAVgaacuQphKdwRPsffw5nQqPGOPHAbx3yOtx0xIl6vRm5V_vE1U0hv8bMDX63XyEvwic4g-7BFgEAJEwquR8V-AuZOHvTVYhTRMIedYn5vQYEXfwyJt4/s400/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_02.jpg" width="400" /></a></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而在艾娜過度將自己期望加諸在孩子身上的執著逐漸壓垮家庭後,她才真正的願意回頭正視過去犯下的錯誤,亦即親自前往無聲語言教學中心。當時中心承辦人員向艾娜詢問為何要親自來?要取消廣告傳單寄送,其實只需要打通電話即可。但艾娜卻無法回答問題。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 或許正如同卡爾榮格(</span><span lang="EN-US">Carl
Gustav Jung</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的潛意識理論。作為音樂世家的一份子,艾娜無法獲得觀眾的掌聲與崇拜,這件事成為她內心裡根深蒂固的痛苦根源。她只能藉由兒子的成功化解心頭的悔恨,只是當依丹甄試落選,兒子的天分在身為甄試評審的父親亞利艾眼裡,只是一名藝匠。依丹的血緣在此時問題反而深深的觸動艾娜的痛楚,內心的缺口也就根本溯源的回到親生兒子的身上。艾娜內心潛意識的活動,不知不覺的便引領她來到無聲語言中心。尤其當她無意間得知自己讓承辦人員想起某個像艾娜的孩子,她重新整合自己人生、家庭挫敗的希望便油然而生。可惜導演伊泰塔爾決定在母子眼神交流的當下為結局留白,觀眾無法得知艾娜整合自我生命的過程。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMHxXCo7SpbqAxtcM6IIA5N_H-L6eWSV9SMlqmheVSSpB5zltwVoWD4RgzYpBHYy1lvZdDYJ9DiqEvj3cHa7KbrEjKsdeENfxGYD2XPumYnqVhelXx1LhGRb5ldu3gy_-ZxkAb8cAWS4M/s1600/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMHxXCo7SpbqAxtcM6IIA5N_H-L6eWSV9SMlqmheVSSpB5zltwVoWD4RgzYpBHYy1lvZdDYJ9DiqEvj3cHa7KbrEjKsdeENfxGYD2XPumYnqVhelXx1LhGRb5ldu3gy_-ZxkAb8cAWS4M/s400/God+of+the+Piano_%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7_05.jpg" width="400" /></a></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 然而《為琴癡狂》並非是一部單純描述艾娜過於偏執的電影。伊泰塔爾善用電影裡的空隙補足敘事裡的空白,他藉由亞利艾升官的家庭聚會,揭露依丹演奏時刻意竄改樂譜的叛逆,而亞利艾的眼神則透露他對於依丹自由發揮的反感。同時這場戲也藉由家庭成員一致對拉斐爾演奏表現的盛讚,凸顯做為音樂世家的品味,電影最後再以拉斐爾的樂譜狠狠地羞辱了專業音樂人的自以為是。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 家庭成員間的感情距離、因社會地位及名聲落差的表現方式,抑或是家庭成員言談裡隱伏的火藥味,隨著這場家庭宴會戲而悄無聲息地默默引爆。編導伊泰塔爾藉由這場家庭宴會戲,展現了他能夠以最少的台詞處理劇本裡眾多細節的能力,而這也就是《為琴癡狂》的最大看點了。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com1tag:blogger.com,1999:blog-4600771186861684622.post-10929806144606481192019-10-08T13:35:00.000+08:002019-10-08T17:07:05.403+08:00反叛繆斯:黛芬與凱洛-性別凝視<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGpHeGkHmANJA8SOzdmGUcvbFu2NAIalDdjXsqgmtpy4qWACXwMGhT5UvuV-eU9ZXjGpWkk-dG_u6k3AhtVvgPrS7vs64yutTxAwVWGP8wNWdLNctgmnQiGcn17J2sSX1cxbsvRwOc9og/s1600/MV5BNmQ0OGVjNTItZjE0Ni00YjNlLWIzMzMtZWY3ZDQ3MDdjZjQ3XkEyXkFqcGdeQXVyMTQ5Mzc5MDU%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="922" data-original-width="1380" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGpHeGkHmANJA8SOzdmGUcvbFu2NAIalDdjXsqgmtpy4qWACXwMGhT5UvuV-eU9ZXjGpWkk-dG_u6k3AhtVvgPrS7vs64yutTxAwVWGP8wNWdLNctgmnQiGcn17J2sSX1cxbsvRwOc9og/s400/MV5BNmQ0OGVjNTItZjE0Ni00YjNlLWIzMzMtZWY3ZDQ3MDdjZjQ3XkEyXkFqcGdeQXVyMTQ5Mzc5MDU%2540._V1_.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 凱洛盧索帕洛(</span><span lang="EN-US">Carole
Roussopoulos</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的孫女,卡利斯托麥克納爾蒂(</span><span lang="EN-US">Callisto
MCNULTY</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)</span>接手凱洛而完成的紀錄片<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">《反叛繆斯:黛芬與凱洛》將主題聚焦在性別凝視的觀點作為敘事核心,批判了電影<span style="font-family: "Times New Roman";">業界</span>中男性霸權文化的惺惺作態,同時又加入了黛芬賽麗格(</span><span lang="EN-US">Delphine Seyrig</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)和凱洛盧索帕洛彼此相識、合作共同對抗男性霸權的往事,再輔以</span><span lang="EN-US">60</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年代後,女性運動浪潮的社會活動。以多層敘事結構建構《反叛繆斯:黛芬與凱洛》,不只呈現一段女性抗爭史,亦大力的抨擊男性電影工作者的醜態。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQsTuFl8GdXwXniLiPauhGX5hzCIwSpKy2Cxf-sYyldb-UF_q-zBlYtYcK-FhhAwNxuY8gfNrApTabeGxoXiGJw90cqqQeJLvpxIWHNZUT91v9Amy8yz4bjlQovFWC9nSikZ_eIx9Az_s/s1600/scum%25E5%25AE%25A3%25E8%25A8%2580.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="953" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQsTuFl8GdXwXniLiPauhGX5hzCIwSpKy2Cxf-sYyldb-UF_q-zBlYtYcK-FhhAwNxuY8gfNrApTabeGxoXiGJw90cqqQeJLvpxIWHNZUT91v9Amy8yz4bjlQovFWC9nSikZ_eIx9Az_s/s400/scum%25E5%25AE%25A3%25E8%25A8%2580.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 自電影誕生以來,各國主導電影的主要工作者,幾乎都以男性為主。當時電影中的女性角色,多半是作為襯托男性角色的聰明優越,或是為了勾引、取悅男性角色或男性觀眾而存在的。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在《反叛繆斯:黛芬與凱洛》的一開場,卡利斯托麥克納爾蒂便揭示男性美食評論家在節目上公開嘲笑女性雖然每天在家煮菜,卻不見得成為一名好廚師。雖然後文詳細解釋女性沒有藉由煮菜賺錢的壓力之故,卻難以掩飾男性視角下女性樣貌。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 卡利斯托麥克納爾蒂在片中更舉了其他例子。比如在楚浮(</span><span lang="EN-US">François Roland Truffaut</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)</span><span lang="EN-US">1968</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年作品的《偷吻》裡的女性形象,全然是楚浮透過電影呈現男性想像中的女性樣貌,以及在《反叛繆斯:黛芬與凱洛》中剪入不少《美麗噤聲》的片段,呈現男性為主的電影<span style="font-family: "Times New Roman";">業界</span>如何以各種方式物化、包裝女性,不只是身材上的修飾,連臉部五官也被斤斤計較,更不用說黑人女性要成為演員充滿了困難。這樣無視女性本身的樣貌,而需要藉由改造女性以滿足男性的行為,全然便是男性視域下對女性的要求。不僅如此,當時的男性認為女性多半智能低下,難以操作複雜的攝影機,其心態充滿歧視意味。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj58s2kF4NYylVg6FyADETzY6eRREIsi6w-TIRkHdXDR7GUuh3FQ4z7SbuCrB1e7RXK9V2eCF-799HF9d-8Lr_5QqPNa6S3DwNxrwAkz_ZDsaVQW1-e_d2fvLy25yxbSDXkMeYaLN1P_Ec/s1600/%25E5%2581%25B7%25E5%2590%25BB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1280" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj58s2kF4NYylVg6FyADETzY6eRREIsi6w-TIRkHdXDR7GUuh3FQ4z7SbuCrB1e7RXK9V2eCF-799HF9d-8Lr_5QqPNa6S3DwNxrwAkz_ZDsaVQW1-e_d2fvLy25yxbSDXkMeYaLN1P_Ec/s400/%25E5%2581%25B7%25E5%2590%25BB.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 透過卡利斯托麥克納爾蒂的影像呈現下,男性為女性設下了男性視角下的標準和規範,女演員必須在達到「<b>標準</b>」的狀態下,滿足並討好所有的男性。這樣的年代與工作環境,電影</span>業界<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">無疑是男性霸權的象徵,他們以各種不同方式或手段,將女性做為工具來使用,使其成為男性視域下的犧牲品。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> </span><span lang="EN-US">1975</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年女性解放運動達到高峰,女性開始爭取包括性自主及墮胎自主權等身體自主。電影業界開始有更多女性導演拍攝電影,很早便有女性自覺的黛芬賽麗格便拍攝了香妲艾克曼(</span><span lang="EN-US">Chantal Akerman</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的《珍妮德爾曼》,片中讓家庭主婦展現出更貼近現實的狀態,家庭主婦乏味、瑣碎,極其在家中飽受煎熬的心理呈現,打破了男性對家庭主婦的美好想像,完成了一次女性在影像上的革命與解放。而凱洛也開始拿起攝影機作為她的武器,和黛芬一同拍攝了一系列嘲諷、反擊男性霸權的作品,其中便包括了</span>1967年的《人渣宣言》及<span lang="EN-US">1981</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年黛芬賽麗格執導的《美麗噤聲》。</span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGjJy5H5b9VTDuqG7RZMo3L-goT_-zluoU3KkuwZajuhd5w0lBroVkD5ai5Bm2o9TS7-fE4EftUP-5hVRM44KnnB7rKWA-HXRQunXbs-Lcn18hFk8hHU_A8Jv-CGrAkqa8KyyCu23N-9Q/s1600/%25E7%25BE%258E%25E9%25BA%2597%25E5%2599%25A4%25E8%2581%25B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGjJy5H5b9VTDuqG7RZMo3L-goT_-zluoU3KkuwZajuhd5w0lBroVkD5ai5Bm2o9TS7-fE4EftUP-5hVRM44KnnB7rKWA-HXRQunXbs-Lcn18hFk8hHU_A8Jv-CGrAkqa8KyyCu23N-9Q/s400/%25E7%25BE%258E%25E9%25BA%2597%25E5%2599%25A4%25E8%2581%25B2.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 隨著女性主義運動的活躍和保守思想的逐漸解放,女性在職場上的權益逐漸受到重視,電影裡的女性不再是僅受家庭格局的家庭主婦,逐漸成為公司部門主管甚至老闆。以好萊塢為例,</span><span lang="EN-US">1988</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的《終極警探》中邦妮貝德莉亞(</span><span lang="EN-US">Bonnie
Bedelia</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在片中雖然戲分不多,卻是任職主管的女性、珊卓布拉克(</span><span lang="EN-US">Sandra Bullock</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在</span><span lang="EN-US">1993</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的《超級戰警》裡飾演一名警督等。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 現今世界各地的電影<span style="font-family: "Times New Roman";">業界</span>對女性的尊重程度,隨著時代有了大幅改善。然而依舊有性別酬勞不均的現象,及不乏男性導演以男性視角凝視女性的影像呈現方式,如今年的《復仇者聯盟:終局之戰》裡,羅素兄弟(</span><span lang="EN-US">Russo Brothers</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)幾乎是以俯角拍攝伊莉莎白歐森(</span><span lang="EN-US">Elizabeth Olsen</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)乳溝的方式意淫女性、近年來發起的</span><span lang="EN-US">#metoo</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">活動,都體現出女性電影工作者需要獲得尊重的一面。而卡利斯托麥克納爾蒂的《反叛繆斯:黛芬與凱洛》,似乎又能與之產生共鳴,她以各種不同的角度,抨擊男性凝視女性下的歧視醜態,猶如一記耳光,重重的打在眾多男性電影工作者的臉上,實在腥辣無比。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照取自</span><span lang="EN-US">imdb<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-36619797950651236922019-10-07T11:12:00.002+08:002019-10-07T11:33:26.327+08:00沉默正義-彈孔裡的喧囂<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFU9m80AHdrOA92cd-Ys25Hu6UJuVr2JCNFRaNMW2ZfQGhvNpiDTpkNVmKsCBvmglxaDOANnrviC2BNXoLlAbW0TTTvOATrHuEi7baB6RBcakpLtOzetWEu5FBZEMI9Qcdq-pw-CfoVo0/s1600/fw_feen58099236_0003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="791" data-original-width="1170" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFU9m80AHdrOA92cd-Ys25Hu6UJuVr2JCNFRaNMW2ZfQGhvNpiDTpkNVmKsCBvmglxaDOANnrviC2BNXoLlAbW0TTTvOATrHuEi7baB6RBcakpLtOzetWEu5FBZEMI9Qcdq-pw-CfoVo0/s400/fw_feen58099236_0003.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 本屆台灣國際女性影展放映的《沉默正義》可說是一部給了我不少震撼的紀錄片。該片由夫妻檔導演</span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">羅伯巴哈</span><span style="background: white; color: #1c1e21; font-family: "新細明體" , serif; font-size: 11.5pt;"><span style="background: white; font-size: 11.5pt;">(</span></span><span lang="EN-US">Robert Bahar</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)和</span>阿莫迪納卡拉希多<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">(</span><span lang="EN-US">Almudena Carracedo</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)執導。紀錄片聚焦在右翼狂人佛朗哥(</span><span lang="EN-US">Francisco Franco</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)死後的西班牙。</span>羅伯巴哈和阿莫迪納卡拉希多<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以《沉默正義》爬梳了佛朗哥四十年政權下的受害者,並透過鏡頭的凝視,觀眾可清楚感受到受訪者在陳述遭遇時,內心情感的真實流露。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd-cUFC-eElb0dU88ZAMhMvxVaMOtSOXnRT514F-GT29mum38DYDVs1adQ4rTR5ozH5Zxu28I6jyCqNOfJsBFhU-igq4kQMEV5IGnXwLcGkWP0h1QEfTqaTqKn-yQCHq60ZqLFD80Mi3A/s1600/fx_feen58099236_0001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="800" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd-cUFC-eElb0dU88ZAMhMvxVaMOtSOXnRT514F-GT29mum38DYDVs1adQ4rTR5ozH5Zxu28I6jyCqNOfJsBFhU-igq4kQMEV5IGnXwLcGkWP0h1QEfTqaTqKn-yQCHq60ZqLFD80Mi3A/s400/fx_feen58099236_0001.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 整部電影從</span><span lang="EN-US">1975</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年西班牙頒布的「<b>遺忘協定</b>」展開,這條協定要求人民必須忘記歷史帶給他們的傷痛,亦即不得追究過往的犯罪者。這起協定等於是縱放佛朗哥政權下為惡不做的爪牙,也因此政府此舉猶如掏出一把利刃,狠狠的在受害家屬的心頭造成二次傷害。在「<b>遺忘協定</b>」之下,追究政府所特赦縱放的「<b>前殺人魔</b>」是一件違法的事。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 因此,《沉默正義》的受訪者全是西班牙過去政權下有苦難言的受害者。透過年長訪談者對過去記憶的敘述,為西班牙佛朗哥時代的殘酷歷史作了基本的交代。同時,透過訪談者真實經歷的陳述,期間所流露的情感,增添不少影像上動人的溫度。而我們活著的當下,其實正是歷史的一部分。當受害者家屬期望公平正義能夠獲得伸張,內心的傷口能夠獲得補償時,卻又發現另一起悲劇:當時佛朗哥政權崇尚優生學,因此曾在醫院盜取他人的孩子,將其撫養成人,甚至告知生母孩子夭亡的謊言。佛朗哥政權就如同揮之不去的恐怖陰影,始終盤據在這群受害者的心裡。為了公平正義、為了彌補生命裡的瘡孔,他們只能遠赴阿根廷上訴,藉此填補未曾癒合的傷口。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0OWML57lxv51dkjhTBG5-NX6dJNK8wQg4CxabNAMiKDThuu3oMNL0DbvBBYtDwd5qLgt1Sw1cc6Hpe1xCUNlQewfXAw6y_kXb9E05AIeMALf64dgsdFuuqnJUKiIC9XLxa-tUSe-teyE/s1600/fx_feen58099236_0002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0OWML57lxv51dkjhTBG5-NX6dJNK8wQg4CxabNAMiKDThuu3oMNL0DbvBBYtDwd5qLgt1Sw1cc6Hpe1xCUNlQewfXAw6y_kXb9E05AIeMALf64dgsdFuuqnJUKiIC9XLxa-tUSe-teyE/s400/fx_feen58099236_0002.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而最令筆者印象深刻與動容的,是那名始終思念父親的老奶奶。當怪手開挖當年罹難者的亂葬崗時,這名老奶奶與眾多受難者家屬守候在墳墓旁看著工人開挖的過程,他們凝重的神情難以掩飾臉上的緊張與擔憂。日暮時分,眾多遺骨的面世,猶如解放墓園這群家屬的情感枷鎖,他們響徹雲霄的悲鳴令人痛徹心扉。這是數十年來,數不清的夜晚以淚水灌溉思念後,終於再次見到曾經一去不回的親屬,即便他們根本分不出遺骨是否是自己的至親。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 這些破碎遺骨在</span><span lang="EN-US">DNA</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">鑑定的結果後,老奶奶因為尋獲父親而開心,也因為未來能和父親葬在一起而開心。挖開墳墓、取出遺骨、進行</span><span lang="EN-US">DNA</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">的程序,也同時填補了受害者家屬數十年來的破碎心理。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAZBM0CZNVx7aOjTSPU5AnsHdvp4MH896kEKmNXAj9kAxgGwv8oEzEIbaPOQJlltLMY6YMV127Q4jrwE7hqc6mdBXT0l1yrkD2SyPXXaGenC76u2BvppquO8_PpZyIRJsr3Z2PjLQymI0/s1600/fx_feen58099236_0004.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAZBM0CZNVx7aOjTSPU5AnsHdvp4MH896kEKmNXAj9kAxgGwv8oEzEIbaPOQJlltLMY6YMV127Q4jrwE7hqc6mdBXT0l1yrkD2SyPXXaGenC76u2BvppquO8_PpZyIRJsr3Z2PjLQymI0/s400/fx_feen58099236_0004.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> </span>而羅伯巴哈和阿莫迪納卡拉希多不斷在《沉默正義》裡帶到烈士谷的雕像,其中一個雕像上出現了彈孔,這個彈孔是佛朗哥擁護者所造成的。雕像的藝術家則表示,他認為彈孔反而完整了他的作品,因此決定不修補雕像。而在《沉默正義》的故事下,作為受害者的紀念雕像,彷彿也是家屬的心理寫照。佛朗哥政權就是那一顆子彈,射穿他們永難修復的生命與靈魂。也像是曾受過傷的西班牙歷史,即便這段歷史已逐漸被年輕人遺忘,但因為有了傷痕,我們才能學到教訓。有了傷痕,才能使國家在挫敗的經驗下持續進步。</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span> </div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-60157815420970654272019-10-06T11:37:00.000+08:002019-10-07T09:18:44.383+08:00小丑-沉淪與重生<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh79tH1uI0dNGDadzqwNmf3kZbaETHAYcYs3PBiQtA9m5M9NVHSEKjR3kfvBN69oVM0_jTNtonBA0uSpVqdAd4ZB_WYoYdz7rJ-oDq2T766g68a3cfxLr7X5f_YneXO5A6bjNcDIvceqv0/s1600/fx_fjen27286456_0007.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="454" data-original-width="800" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh79tH1uI0dNGDadzqwNmf3kZbaETHAYcYs3PBiQtA9m5M9NVHSEKjR3kfvBN69oVM0_jTNtonBA0uSpVqdAd4ZB_WYoYdz7rJ-oDq2T766g68a3cfxLr7X5f_YneXO5A6bjNcDIvceqv0/s400/fx_fjen27286456_0007.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 超級英雄電影在近十年來成為好萊塢影壇的新主流,但在英雄故事逐漸飽和之時,為了持續讓觀眾感到新奇,開始有了更多新形態的英雄電影。比如《死侍》、《羅根》等。這些電影已不再是單純的使用英雄類型電影的敘事結構,而是在電影的主要敘事結構下,加入其他類型電影的血肉。比如《羅根》的敘事內核其實是西部電影、《水行俠》則是古裝歷史劇的結構。這並非漫威或</span><span lang="EN-US">DC</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">所發想出來的編劇法則,在很多電影裡我們都可看到編劇將不同類型的敘事彼此交互融合。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixDgJEDy4d9_m6QtRatTpnw7-nivcC1t61dHdzAdafTiwQUWOodcQ_NzmcIufxVLVsEj8KmIHfq2wlM9P6PWe9ZrNC1BMc0S_lIVMqG69AutL-4J_irtX_CCwDQM4xN4jk3dHu6aox9KA/s1600/fx_fjen27286456_0011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="800" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixDgJEDy4d9_m6QtRatTpnw7-nivcC1t61dHdzAdafTiwQUWOodcQ_NzmcIufxVLVsEj8KmIHfq2wlM9P6PWe9ZrNC1BMc0S_lIVMqG69AutL-4J_irtX_CCwDQM4xN4jk3dHu6aox9KA/s400/fx_fjen27286456_0011.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在過往的《蝙蝠俠》系列電影裡,對於高譚市的腐敗總是輕筆帶過,避重就輕,未嘗有人利用這座墮落的城市,寫出精彩的劇本。而陶德菲利普斯(</span><span lang="EN-US">Todd Phillips</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)編導的《小丑》的高妙之處,在於故事雖以小丑為故事的核心,但在故事背景之下,我們可以看到高譚市逐漸墮落腐敗的過程,而這個過程正和亞瑟佛萊克(</span><span lang="EN-US">Arthur Fleck</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)彼此可互相參照。在片中,小丑宛如是高譚市的縮影,而高譚市則是小丑的化身。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 陶德菲利普斯不時的在電影的縫隙裡插入高譚市逐漸殞落的訊息,而又因亞瑟居住在高譚市的社會底層,這些訊息的出現反而更加難以忽視。比如垃圾車工會的罷工,導致民眾群起抗議環境的污染。再如福利制度的預算縮減,使得亞瑟等飽受精神病困擾的病患,成為體制下的犧牲者,可說是被政府間接放棄的人們。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaoHaDAme-nfx12Vnm979FkwrINR-P0n66tmyyftHrIToMAzHGX8kqP0qulI2Oe0Bc_Pn1WR0AzzooDE8S1JWd9RklgRlYcJcsFJjPPBz8K9XTkBeU51n02rho-M2XhgyHOdduiuRS8to/s1600/fx_fjen27286456_0031.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaoHaDAme-nfx12Vnm979FkwrINR-P0n66tmyyftHrIToMAzHGX8kqP0qulI2Oe0Bc_Pn1WR0AzzooDE8S1JWd9RklgRlYcJcsFJjPPBz8K9XTkBeU51n02rho-M2XhgyHOdduiuRS8to/s400/fx_fjen27286456_0031.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 亞瑟在迥異於常人的環境下成長,他和一般人心裡認為「<b>正常</b>」的世界一直都是互相排斥的存在。他不被理解的心理和失控的大笑,宛如政客和湯瑪士韋恩(</span><span lang="EN-US">Thomas Wayne</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)面對高譚市的虛假諷刺。而支撐他繼續在眾人「正常」眼光下活著的支柱,就是母親的期望和成為單口相聲的夢想,甚至是美好愛情的想像。亞瑟就如同高譚市的化身,</span>當高譚市逐漸殞落時<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">,亞瑟反而因為兩根支柱的陸續倒塌、美好愛情的幻境崩解,開始撕下了一直以來被心理醫師、世界貼上應該要「<b>正常</b>」的標籤</span>,以小丑的身分獲得生命的重生。</div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在小丑身分之下,本來和世界格格不入的亞瑟,隨著小丑擁護者一舉和已然墮落的高譚市成為能夠劃上等號的存在。高譚市的混亂根基於政府的漠視,起源於亞瑟的地鐵槍擊案。小丑覺醒於此,混亂高譚市亦誕生於斯。當小丑的裝扮成為對抗上流階層的符號、槍枝成為對抗權貴的武器,高譚市的社會階級亦隨著莫瑞法蘭克林秀(</span><span lang="EN-US">Murray Franklin Show</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的槍擊實境而遭受破壞。這時鏡頭帶到仍幼年的布魯斯韋恩(</span><span lang="EN-US">Bruce Wayne</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)站在雙親屍體身旁,顯得渺小又諷刺,因為此時和高譚市格格不入的不再是亞瑟,而是未來成為蝙蝠俠的布魯斯韋恩。電影的符號運用與敘事筆法,在地鐵槍擊案後慢慢呈現出驚人的改寫與反轉的力道。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivsQ2ikGkpXGUJ1Z2z8B2jSVn2Gwkdg2Uu5A9Oa1ZYalKzmDBtLuwa-Tx1mqu-B5AZZoHslTRljZre8DY-pK1TBoqW3y30zzcUzFSygsSQ7oiBqHlnwRnby2OfTqNzuxgwbAN_TSdXEC0/s1600/fx_fjen27286456_0025.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivsQ2ikGkpXGUJ1Z2z8B2jSVn2Gwkdg2Uu5A9Oa1ZYalKzmDBtLuwa-Tx1mqu-B5AZZoHslTRljZre8DY-pK1TBoqW3y30zzcUzFSygsSQ7oiBqHlnwRnby2OfTqNzuxgwbAN_TSdXEC0/s400/fx_fjen27286456_0025.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 陶德菲利普斯以細膩的筆觸利用高譚市沉淪的過程,和亞瑟成為小丑的轉變軌跡,以互斥、相容、平行、翻轉等等敘事方式展現他的說書功力,再以高譚市的社會問題,掀開隱藏在社會問題下的階級矛盾。透過陶德菲利普斯和共同編劇史考特西佛(</span><span lang="EN-US">Scott Silver</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)一筆一畫的交織下,成就了《小丑》富有多層次、厚度與深度的精采劇本,創造出前所未有的反英雄電影體質。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-14084712387370228132019-10-04T16:11:00.000+08:002019-10-04T17:11:25.496+08:00酸世代-疏離青春<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgriJJmboYnLwjZ-a0Tjlzbudz1A4wPGu25wzQqF4-vA1Go6BMwgz0Ex8hzc0G9luwA1QGkSeYIX_3s0jti4TNSDGOLntdHhiSNIzzXpauwQwHAOXSBPlGP2j5sRPIEV-tQsodIrArsG_8/s1600/MV5BYTMyMWY2NDctNTQ4MS00NTVhLWIxYjEtNmMzYzE2YTk2OGZkXkEyXkFqcGdeQXVyODk5NzQ4MDU%2540._V1_SX1777_CR0%252C0%252C1777%252C744_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="670" data-original-width="1600" height="167" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgriJJmboYnLwjZ-a0Tjlzbudz1A4wPGu25wzQqF4-vA1Go6BMwgz0Ex8hzc0G9luwA1QGkSeYIX_3s0jti4TNSDGOLntdHhiSNIzzXpauwQwHAOXSBPlGP2j5sRPIEV-tQsodIrArsG_8/s400/MV5BYTMyMWY2NDctNTQ4MS00NTVhLWIxYjEtNmMzYzE2YTk2OGZkXkEyXkFqcGdeQXVyODk5NzQ4MDU%2540._V1_SX1777_CR0%252C0%252C1777%252C744_AL_.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 演而優則導的俄國新銳導演亞歷山大葛林奇(</span><span lang="EN-US">Aleksandr Gorchilin</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)首部執導電影,便展現出導演長才。他所執導的《酸世代》聚焦在青少年和社會、世界的關係。尤其亞歷山大葛林奇決定以「疏離」雕刻青春,從各個角度審視青少年成長時的茫然與失措。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKMH9bE1JlpF3mdBALhYXzzS3NMyBsHA__pMeQOrg9xcFHP2CwDhQEy9oUcu5GMBV2KHptMwnPJL9uC8QI-UfFQ32obxpIbJoUkiD-M8GPsz18_kbY3EEkxfFk0jqNtX37sRHISdNr-00/s1600/MV5BYmRjMWRiNzgtNWEyYi00MDg1LWE3MjItZDg1Y2I3ODgyM2VjXkEyXkFqcGdeQXVyMjUwNjY5MzA%2540._V1_SX1777_CR0%252C0%252C1777%252C999_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKMH9bE1JlpF3mdBALhYXzzS3NMyBsHA__pMeQOrg9xcFHP2CwDhQEy9oUcu5GMBV2KHptMwnPJL9uC8QI-UfFQ32obxpIbJoUkiD-M8GPsz18_kbY3EEkxfFk0jqNtX37sRHISdNr-00/s400/MV5BYmRjMWRiNzgtNWEyYi00MDg1LWE3MjItZDg1Y2I3ODgyM2VjXkEyXkFqcGdeQXVyMjUwNjY5MzA%2540._V1_SX1777_CR0%252C0%252C1777%252C999_AL_.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 從劇本面而言,電影中的青少年和家庭的關係皆是疏離。梵亞的縱身一跳,掀開了他與母親疏離的關係,即便母親淚灑墳前,這層疏離在彼得與沙夏的眼裡也是難以掩飾。而當沙夏拜訪梵亞家,又勾勒出另一名兄弟彼得與家庭的疏離。至於沙夏,他對音樂的熱愛和夢想,讓他刻意與家庭保持距離。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在親子關係上,父母總是真心關心孩子,孩子卻難以真正的理解父母。原因乃是父母有過成長上的挫敗經驗,因此成年人懂得迴避會造成生命傷害的事。青少年卻因為缺乏經驗而一意孤行,遂產生了青少年與原生家庭的疏離關係。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZrRSeFVbDQh6YGrqN9J6O_FS7XZMwa9CDnytFt9VgmmpFCs81Ff2cUhU7yAZpyk-W8Dhp5D5QYUfZ3-PjHSv5fKQLVTFT-2RP4LiQrU-jVXBEw7bUV-kGLTlq5zQKvActkeXhW6r_IHE/s1600/MV5BMDRmMjMxOGQtYWJlMC00NDhlLTkwZjMtNjQ0MmUwZDFkMGNiXkEyXkFqcGdeQXVyODk5NzQ4MDU%2540._V1_SX1777_CR0%252C0%252C1777%252C743_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="669" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZrRSeFVbDQh6YGrqN9J6O_FS7XZMwa9CDnytFt9VgmmpFCs81Ff2cUhU7yAZpyk-W8Dhp5D5QYUfZ3-PjHSv5fKQLVTFT-2RP4LiQrU-jVXBEw7bUV-kGLTlq5zQKvActkeXhW6r_IHE/s400/MV5BMDRmMjMxOGQtYWJlMC00NDhlLTkwZjMtNjQ0MmUwZDFkMGNiXkEyXkFqcGdeQXVyODk5NzQ4MDU%2540._V1_SX1777_CR0%252C0%252C1777%252C743_AL_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
梵亞、沙夏和彼得在逃離家後,彼此組成結構特殊的團體,他們之間卻缺乏了情感上的連結與認同感。這層疏離感彷彿在他們離家後便如影隨形,成為他們青春期的內在陰影。就像薇佳的曬衣夾理論本是形容沙夏與卡莉娜的情感關係。不過將理論延伸來看,這些青少年從來不知道自己真正想要的是什麼,他們組成的團體結構,只是一種習慣性的適應狀態罷了。最好的證據來自於彼得面對跳樓梵亞的冷漠態度、沙夏遍尋不著彼得、沙夏割了包皮,因此刻意與狂歡縱慾活動保持身體與心理上的距離。<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 以拍攝手法觀之,亞歷山大葛林奇以兩種技法強調故事的疏離美感。首先是剪輯上的些許破碎,這層破碎並非剪輯上造成的失誤。第二,從梵亞嗑藥後,在陽台縱身一跳開始,整部電影的攝影,呈現一個冷冽的美。無論是沙夏與片中的夜店狂歡格格不入、片中的性愛趴,即使肉體歡愉、情慾高漲,但彼此間的不熟識,又彰顯彼此在情感上的疏離感。也就是說亞歷山大葛林奇,試圖將片中的溫度全數以冷冽呈現,不論是孤獨或狂歡,甚至是有益的希望電影本身與觀眾保持一種冷冽的距離。也就是說亞歷山大葛林奇刻意的以剪接和鏡頭帶出整部電影的疏離主題。且不只是人與人關係的情感疏離,亞歷山大葛林奇更想以青少年和世界、社會的疏離感,讓青少年面對未來的茫然失措得以巧妙地自然浮現。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0pgyliNs5Eum-Z9SwR18YC2TOz19RZs5iAksySXKO17dQSi5z6NKBRqIuSCzRdOsQz8VlhDUEnvzlWbA8DbKqOc-B5q9arnAwiHyBlvAe70PQR422BfcCCFMpZ3EfUEO2GcSbJl_JnmY/s1600/MV5BZTFiYjViODAtZTBhOS00NzhkLTgwNjItOGQxYzhhMjEwMDE1XkEyXkFqcGdeQXVyMjUwNjY5MzA%2540._V1_SX1777_CR0%252C0%252C1777%252C999_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0pgyliNs5Eum-Z9SwR18YC2TOz19RZs5iAksySXKO17dQSi5z6NKBRqIuSCzRdOsQz8VlhDUEnvzlWbA8DbKqOc-B5q9arnAwiHyBlvAe70PQR422BfcCCFMpZ3EfUEO2GcSbJl_JnmY/s400/MV5BZTFiYjViODAtZTBhOS00NzhkLTgwNjItOGQxYzhhMjEwMDE1XkEyXkFqcGdeQXVyMjUwNjY5MzA%2540._V1_SX1777_CR0%252C0%252C1777%252C999_AL_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 成長本身便充滿痛楚,唯有歷經挫敗才能真正的長大。如同片中的藝術品,沾了強酸後,方能呈現另一種藝術樣貌。彼得後來願意扛起擔任教父的重擔,沙夏在危急之際打翻了摻有強酸的受洗盆,或許只是良心萌發,又或許他明白了不是自己才應該有選擇人生的決定。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 雖然作為一部首次執導的作品,不可能處處完美、展現高水準。但筆者卻深深喜愛《酸世代》的拍攝手法。亞歷山大葛林奇以精采的疏離表現手法,創造了《酸世代》的敘事層次,在藉由剪輯與攝影加深疏離的溫度,使得《酸世代》成為一部十分另類的成長作品。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照取自</span><span lang="EN-US">imdb<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-23710012202951092982019-10-02T16:05:00.001+08:002019-10-06T11:37:20.385+08:00同境相憐-父權的鐵籠<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmRbH2W4He9iY9xogD7v18_b5tbpAuhR_tEGICPyIn6QMX8cBJUwYfC1ZLxEZh_nT5L1hq0JrTAGpqn8Ar54RmRCkA_rSsALsNwoqJC9xAdlj3EQozLRtXgFXKDGflTatVhoxOcHWX5g0/s1600/MV5BNzgwZjllYmMtNTdhOS00MzAwLTgwZTAtZmNiOGI1OWI3MjgzXkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmRbH2W4He9iY9xogD7v18_b5tbpAuhR_tEGICPyIn6QMX8cBJUwYfC1ZLxEZh_nT5L1hq0JrTAGpqn8Ar54RmRCkA_rSsALsNwoqJC9xAdlj3EQozLRtXgFXKDGflTatVhoxOcHWX5g0/s400/MV5BNzgwZjllYmMtNTdhOS00MzAwLTgwZTAtZmNiOGI1OWI3MjgzXkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" width="400" /></a></div>
<br />
<br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 新銳導演薩拉曼尼(</span><span lang="EN-US">Sahra
Mani</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在《同境相憐》裡選擇以紀錄片的形式,以阿富汗的喀布爾女孩卡特拉(</span><span lang="EN-US">Khatera</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)為中心,訴說生命裡最令她恐懼的遭遇。筆者起初並不了解薩拉曼尼在紀錄片的敘事策略的用意,因為當紀錄片交代一起事件時,又將焦點集中在一名人物之上,其實很難給予該紀錄片一個公正客觀的觀點與視角。但隨著卡特拉生命遭遇的事件持續發生,筆者開始佩服薩拉曼尼的敘事策略。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLDlZdaFfF5Kr2d3RRqfpnTqgfAQEYTmWHlJ_MnJr4TjpKTXOxmSRYc77iBG5UnVh3R_8fxJJZxLLAGSq9q506ymw4GlKyTeRi0LIYC04Z6ebFBbTxnXudTxLr-FHotzpSBlxqBru45Ps/s1600/MV5BMWZkOTk3MTEtZDNkNS00YmVhLThhZGItZWM2MWJiNWY1Nzc3XkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLDlZdaFfF5Kr2d3RRqfpnTqgfAQEYTmWHlJ_MnJr4TjpKTXOxmSRYc77iBG5UnVh3R_8fxJJZxLLAGSq9q506ymw4GlKyTeRi0LIYC04Z6ebFBbTxnXudTxLr-FHotzpSBlxqBru45Ps/s400/MV5BMWZkOTk3MTEtZDNkNS00YmVhLThhZGItZWM2MWJiNWY1Nzc3XkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 薩拉曼尼以</span><span lang="EN-US">2009</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年阿富汗的道德法作為起點進行敘事,替觀眾架構出賈尼(</span><span lang="EN-US">Ashraf Ghani</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)總統統治下的阿富汗社會樣貌,再帶出卡特拉在電視上對自己的父親進行的性侵指控,由一條法案、一起震驚全國的事件作為整部片的中心點,並以此向外輻射擴散。《同境相憐》的英文片名是《</span><span lang="EN-US">A Thousand Girls Like Me</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">》其實便以點出整部電影的核心理念。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 卡特拉藉由媒體向大眾訴說自身的遭遇,不但正義未獲伸張。反而無意間掀開了阿富汗社會價值觀底下,欲以強暴迫使女性屈服沉默的父權醜態。不只是警方和法官等司法單位以罪證不足等原因拖延審判,甚至叔叔翻牆進入卡特拉的家裡、威脅卡特拉,反而替卡特拉製造更多的恐懼和夢魘。而威脅恐嚇、羞辱嘲諷等對待女性的行為,正是阿富汗男性沙文主義臭不可聞的惡臭樣貌。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM5QWy3djX8C5WhXBsaizdyqITfWBeJPy2HxJQjPPxjL4vZpw_IdLvhe4TAh-m-iKfk1KvLVkB-nf0HdYUIM5Icjy6qNLMPfxaI39JKXLMzRwDiiois3wsmhwMKVnppOzsyrJHe8EbsfA/s1600/MV5BZDY0NTc0NDUtNGFjZC00ZTUxLWIwYTYtNTk1Y2UxNmZkZDljXkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM5QWy3djX8C5WhXBsaizdyqITfWBeJPy2HxJQjPPxjL4vZpw_IdLvhe4TAh-m-iKfk1KvLVkB-nf0HdYUIM5Icjy6qNLMPfxaI39JKXLMzRwDiiois3wsmhwMKVnppOzsyrJHe8EbsfA/s400/MV5BZDY0NTc0NDUtNGFjZC00ZTUxLWIwYTYtNTk1Y2UxNmZkZDljXkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在薩拉曼尼的鏡頭之下,呈現出男性在社會上具有主宰女性的地位。他們視女性如敝屣,可任意對待她們的身體以滿足自己的性慾、可任意凌虐她們的心理,藉此逼迫女性服從。而女性在國家的體制下不被重視,因此也不可能會有能夠幫助她們、位居高官的女性官員。在從上到下皆為男性主宰的政治體制下,女性主能隱忍男性對她們的不尊重。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 以另一層面視之,阿富汗社會文化所默許的扭曲價值觀,如同巨大的鐵籠,囚禁了女性的身體與心理自主權。當薩拉曼尼欲以鏡頭捕捉卡特拉親友、鄰居對此事的看法時,辱罵卡特拉羞恥者有之,噤若寒蟬者亦有之,從而呈現出女性將被男性侵犯身體與心理,為應當容忍或是理應默許的想法。而造就扭曲價值觀出現的原因,絕對是因為卡特拉的事件已不是國內的第一起,且女性已歷經數十年反抗皆未有過成效,不如便屈就的退讓結果。在薩拉曼尼的鏡頭裡,阿富汗如同深不見底的父權陰影,全阿富汗的女性都在男性控制的陰影之下苟活。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-pXoe_3forS_G_ud68li7LeX6_hxiHf26bybqZOPP8Qkrn0jS-IQvmjFA7XvFiBptkWfMn0qPnGydGBRSmj_jL16Fofw5-cY4DebegMEoSnb0MEENtBtgk23I64NTAxsUMLE6AnjdaOU/s1600/MV5BNzA4MDYyNDQtZjcyZi00ZGYwLWFjMzctZWU2ZWI5NDA1NmE1XkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-pXoe_3forS_G_ud68li7LeX6_hxiHf26bybqZOPP8Qkrn0jS-IQvmjFA7XvFiBptkWfMn0qPnGydGBRSmj_jL16Fofw5-cY4DebegMEoSnb0MEENtBtgk23I64NTAxsUMLE6AnjdaOU/s400/MV5BNzA4MDYyNDQtZjcyZi00ZGYwLWFjMzctZWU2ZWI5NDA1NmE1XkEyXkFqcGdeQXVyMjc1NDA2OA%2540%2540._V1_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 當薩拉曼尼以鏡頭關懷卡特拉殘破生命的當下,事實上也以卡特拉的遭遇同情著數以千計的阿富汗婦女們。片中一段「<i><b>我們的苦難與煎熬都已寫在命運裡</b></i>」已道盡阿富汗眾多婦女的絕望心聲。薩拉曼尼以點墨暈染的輻射敘事技巧,在關懷卡特拉的當下,亦給予阿富汗社會價值觀沉重的一擊。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 當片中卡特拉終於拿到自己與孩子們的護照後,「<b>護照</b>」成為卡特拉帶著兩名孩子遠離家園、逃離充滿惡臭鐵籠的父權社會、以及數不盡長夜惡夢的希望象徵,法國則成為她們重生的希望之地。只是當觀眾為卡特拉落下淚水的同時,阿富汗的問題最終仍未獲得改善。但或許正如同卡特拉的遭遇,總有一天阿富汗的婦女或許能夠真正的重見光明。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照取自</span><span lang="EN-US">imdb<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-62068090473055494182019-10-01T15:23:00.000+08:002019-10-01T15:39:26.943+08:00阿拉丁-時代轉換的軌跡<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7urutdB3MfYKynEpKxPUNjVEWJq9UhOQXKlTazmy7HWcdyDfBy6O9slZLz7fmLcYe2rd0Aa8LTuPbkGE-Y73xdWDjWT2-eydXLYL1Mudzi6w1Jf51Wz0MFgi_-1oM90fCOrbPzOFjN3Q/s1600/fw_faen36139732_0011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1001" data-original-width="1166" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7urutdB3MfYKynEpKxPUNjVEWJq9UhOQXKlTazmy7HWcdyDfBy6O9slZLz7fmLcYe2rd0Aa8LTuPbkGE-Y73xdWDjWT2-eydXLYL1Mudzi6w1Jf51Wz0MFgi_-1oM90fCOrbPzOFjN3Q/s400/fw_faen36139732_0011.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 不少電影都會在故事中呈現世界、社會的當前樣貌,比如冷戰時期的好萊塢作品,反派角色都是蘇俄人、</span><span lang="EN-US">911</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">事件後,電影主要反派則多為中東人,甚至喬治布希(</span><span lang="EN-US">George Bush</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)執政時,麥可貝(</span><span lang="EN-US">Michael
Bay</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)執導的《變形金剛》便出現影射中東戰局的情節等。而此次《阿拉丁》的改編,也同樣的呈現時代改變下的印記與軌跡。</span><br />
<a name='more'></a></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaFFsaNtMmYe9ljue4oD8NFTCnihvUGm2fKly-a5T_9nRcqHCeffHAOSzz8I0Jp9yXkInqWu4VckgV2WnBnKveYElIm7bwTOyOueKgIN0TtZwUnotQGGF34VObyBl82w_58Or6zJZHaq8/s1600/fx_faen36139732_0005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaFFsaNtMmYe9ljue4oD8NFTCnihvUGm2fKly-a5T_9nRcqHCeffHAOSzz8I0Jp9yXkInqWu4VckgV2WnBnKveYElIm7bwTOyOueKgIN0TtZwUnotQGGF34VObyBl82w_58Or6zJZHaq8/s400/fx_faen36139732_0005.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 此次由蓋瑞奇(</span><span lang="EN-US">Guy
Ritchie</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)執導改編的《阿拉丁》,是以</span><span lang="EN-US">1992</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年原版動畫故事做為基底,然後由蓋瑞奇及《大智若魚》的編劇約翰奧古斯特(</span><span lang="EN-US">John August</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)進行改編。而</span><span lang="EN-US">2019</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年版本的《阿拉丁》改編上最大的亮點,在於茉莉公主(</span><span lang="EN-US">Jasmine</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)和精靈的改寫,而在這層改寫上蓋瑞奇又賦予了和當代社會十分緊密伏貼的意義。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 尤其是茉莉公主的改寫,從她首次盛裝出場便以透漏其端倪,那做為王者的霸氣氣焰,隨著她從台階往下走而瀰漫在整場戲裡,甚至藉由來訪王子笨拙性格凸顯作為反差。這場戲呈現了茉莉做為一名女性,依舊有權拒絕服膺男性。而她所拒絕的是另一個國家的王子及自己的父親蘇丹王,其實也等於做為女性的茉莉,以羞辱王子的方式,拒絕以政治聯姻方式,成為男性帝國下的商品及附屬品。</span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfC2H6YKbHVL6UT4vQFG-rPyp_7CN5qBh4IL-tTD8HFicZhaKUlR0Q_NTDWHsH4dcajTtZJ-b03mRGIXNDKk2vn-43DG1uwaQs5jQpmzAZ1By7FUnd9veTkazT-MIGAaTFYSC5UrVOMvo/s1600/fx_faen36139732_0012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="652" data-original-width="800" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfC2H6YKbHVL6UT4vQFG-rPyp_7CN5qBh4IL-tTD8HFicZhaKUlR0Q_NTDWHsH4dcajTtZJ-b03mRGIXNDKk2vn-43DG1uwaQs5jQpmzAZ1By7FUnd9veTkazT-MIGAaTFYSC5UrVOMvo/s400/fx_faen36139732_0012.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而最直接的證據,是艾倫孟肯(</span><span lang="EN-US">Alan
Menken</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)為其打造的新歌曲〈</span><span lang="EN-US">Speechless</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">〉。這首歌在片中出現在茉莉拒絕王子,以及反抗象徵阿格拉巴男性王朝霸權的賈方(</span><span lang="EN-US">Jafar</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)兩場戲。而〈</span><span lang="EN-US">Speechless</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">〉歌詞內容表明了茉莉將打破傳統女性屈就男性的傳統,不只是塑造茉莉角色性格,又有茉莉反抗男性霸權心聲的作用。同時,〈</span><span lang="EN-US">Speechless</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">〉的歌詞又有鼓勵女性奮起反抗男性沙文主義的主要作用。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 蓋瑞奇和約翰奧古斯特在劇本上做出這樣的改動,正是貼合女性現今在社會上應有的時代意義。</span><span lang="EN-US">1980</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年代,女性的社會地位,逐漸因女性主義運動比過去更為活躍而受到重視,因此由女性擔綱主角對抗惡勢力的作品也逐漸增多,包括</span><span lang="EN-US">1979</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的《異形》,或是</span><span lang="EN-US">1988</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年《終極警探》中,邦妮貝德莉亞(</span><span lang="EN-US">Bonnie Bedelia</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在片中任職主管等。</span><span lang="EN-US">90</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年代時,女性雖然已在電影裡對抗殺人魔、恐怖份子或外星怪物,在實際社會職場上任職公司老闆、統御群雄的女性並不多見。而時值今日,世界上已有不少女性成為國家的領導者,蓋瑞奇和約翰奧古斯特在《阿拉丁》裡融入現代社會的觀點也不再是突兀的事了。</span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuGlbtQq51hPpTMUt4fCKp7UOBsOMH24k9zzmCZpI4n1sJogrSH2_5qIRLIaADp2p2JgOzHJD__79w2fsdh-xmRcDO9bYk3t1ycgmmlnvk6HRx3pm4JyPKnHrsh-7WzvWG9gmZVe29QMw/s1600/fx_faen36139732_0016.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuGlbtQq51hPpTMUt4fCKp7UOBsOMH24k9zzmCZpI4n1sJogrSH2_5qIRLIaADp2p2JgOzHJD__79w2fsdh-xmRcDO9bYk3t1ycgmmlnvk6HRx3pm4JyPKnHrsh-7WzvWG9gmZVe29QMw/s400/fx_faen36139732_0016.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 也因此《阿拉丁》的結局,蘇丹王決定將王位傳給茉莉,而非</span><span lang="EN-US">1992</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年版本將其傳給熟知社會底層貧民生活的阿拉丁。這樣的安排,改寫了男性承接王位的歷史傳統概念。再者,阿拉丁在解放精靈後,並非如</span><span lang="EN-US">1992</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">版的精靈,從次有源源不絕的魔法可使用,而是使其成為人類,並也擁有追求幸福的權利。這或許也和現今同性婚姻法案的通過,和保守社會的思想解放有所關聯。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 蓋瑞奇和約翰奧古斯特在原始劇本上的大膽改動,使得《阿拉丁》的故事在</span><span lang="EN-US">27</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年後有了全新的樣貌與時代意義,在迪士尼近年大量真人化自家動畫的商業操作下的作品而言,《阿拉丁》是筆者近年最為滿意與喜愛的一次改編。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-91684880044477364132019-09-29T17:12:00.002+08:002019-09-29T18:03:10.702+08:00天氣之子-雨天與晴天<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWJtXgPPammJuyaGHJ0PKbNzdPqkQ5Ybx92T7Elv9oYxdX8ob2b87xX47nG0uOw4fzw_h355DZXUKQ8EGN2eZOshFkQYih83xo9128nrOpbOwbFXlsGib8NvHseGUMsacQWY2BRhk5vpQ/s1600/fw_fwjp49426210_0003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWJtXgPPammJuyaGHJ0PKbNzdPqkQ5Ybx92T7Elv9oYxdX8ob2b87xX47nG0uOw4fzw_h355DZXUKQ8EGN2eZOshFkQYih83xo9128nrOpbOwbFXlsGib8NvHseGUMsacQWY2BRhk5vpQ/s400/fw_fwjp49426210_0003.jpg" width="400" /></a></div>
<br />
<br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 三年前,新海誠終於以《你的名字》在世界各地打響了日本新一代票房動畫師的地位。三年後,新海誠推出了《天氣之子》,光源運用的畫面精細程度依舊動人</span>,有趣的是此次影像敘事的鋪陳堆疊和隱喻的運用,豐富了故事本身的層次與厚度。而這些層次,皆是新海誠對現代社會狀況的觀察。<br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn2QxUgVxtLu1CjJ544M7agaKLRlzlNzUs9esNK5IEYKsT4ZNyiObb6-A6AN-AxBPnp5o6S-s9qLmpggG2dG5q3rY7qfaqIFkUwMuf9vRNGZ_pu17Nz0Y0WDV8Vqzz2xA90lia_qlxW4E/s1600/fx_fwjp49426210_0002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn2QxUgVxtLu1CjJ544M7agaKLRlzlNzUs9esNK5IEYKsT4ZNyiObb6-A6AN-AxBPnp5o6S-s9qLmpggG2dG5q3rY7qfaqIFkUwMuf9vRNGZ_pu17Nz0Y0WDV8Vqzz2xA90lia_qlxW4E/s400/fx_fwjp49426210_0002.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 舉例而言,森嶋帆高來到東京後,雨就開始灑落東京。帆高離鄉背井,來到了充滿全新規律與秩序的世界。東京是帆高拋棄舊有世界,展開新生活的開始,具有生命重生的意涵。但礙於年齡,帆高在東京的工作歷程處處碰壁,這時候伴隨帆高降下的雨就有了獨特的影像符號。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 新海誠曾在《言葉之庭》裡,賦予「雨天」最浪漫深情的涵義。這次在《天氣之子》中,「雨」則成了阻礙帆高東京生活的符號。苦於找不到工作的他,身僅剩為數不多的錢,當他被困在大雨下的騎樓時,不僅吃飽成了問題,還被混混瞧不起,只能蜷縮在垃圾堆裡小憩。走投無路的他僅能向須賀圭介求助,不過圭介的</span><span lang="EN-US">K&A</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">位於東京城市角落的地下室。這時「雨」和東京社會角落的社會圖景,以及帆高困頓的生命狀態,便成了緊緊相連的符號與隱喻。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghnURzWtACleAbBNge3i3MKqGb9arX3qcen3E-_2KtsVNy4cRjtwm-qraSCLheNi3qhYOGlhaOsfVzUAjIDoXKaudhKgsJOXHFuLL16fOc-4j3DRxVJ58SepgOLkhkfKd5LjK6sHRJV8Y/s1600/fw_fwjp49426210_0008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="464" data-original-width="826" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghnURzWtACleAbBNge3i3MKqGb9arX3qcen3E-_2KtsVNy4cRjtwm-qraSCLheNi3qhYOGlhaOsfVzUAjIDoXKaudhKgsJOXHFuLL16fOc-4j3DRxVJ58SepgOLkhkfKd5LjK6sHRJV8Y/s400/fw_fwjp49426210_0008.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 作為晴女的陽菜,是希望的象徵。他們「販賣晴天」的構想,起初是為了謀生的私利,但是當笑容爬上客戶的嘴角後,也同時填補了陽菜生命缺乏的部分。帆高與陽菜更藉由這個過程,逐漸完整了彼此的生命,並和小凪建立了全新樣貌的家庭型態。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 也因此當陽菜決定犧牲自己的大愛行為,表面上是破除了詛咒。但卻因此讓帆高與小凪的生命空缺再次出現。這時晴天與雨天的符號因陽菜的犧牲而出現錯置與轉換,晴天反而成了帆高內心缺憾的顯現,雨天反而成為帆高生命的救贖。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjVancLexigZ5fDsIOWcNwNclz8jRd5SS4DpGRhPYPHvz8nHZFHISXlG4mYTwiHYQ2StdHyBp47GgR_cOcFLltoYy3ZFy9BfPvfxjdm4V7-QIca8xBaCxf35l85yiAB69H_lE6zXSLrlg/s1600/fx_fwjp49426210_0022.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjVancLexigZ5fDsIOWcNwNclz8jRd5SS4DpGRhPYPHvz8nHZFHISXlG4mYTwiHYQ2StdHyBp47GgR_cOcFLltoYy3ZFy9BfPvfxjdm4V7-QIca8xBaCxf35l85yiAB69H_lE6zXSLrlg/s400/fx_fwjp49426210_0022.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而在故事表面上只是單純因為愛情而拯救陽菜,實際上帆高是為了使自己生命完整而做出行動,亦即他寧願犧牲整個世界,也想成全自己的生命。而那把拾獲的槍,則成為他唯一能和成年人與之抗衡的武器,是新海誠對於青少年面對險惡社會結構,充滿諷刺的一把利刃。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 值得一提的是,新海誠在經歷《你的名字》的大獲成功之後,對於如何以精準的敘事節奏、運鏡、歌曲選用、下歌曲的時間點等,藉此激起觀眾的情緒,藉此滿足觀眾的心理。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH_bg0BRo8VzTh-OyL5yt5iiPu2spAGsChnydB2sJ905DJ38cu5Cbi5NCIy5ZyuRirFrr8IKu2mus0tvHTcDlXfh2i19XyCRu9IUj21L6vUuZNT3MJOFabUQpxpjpULszFeV9WP7_0Jhw/s1600/fw_fwjp49426210_0020.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="640" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH_bg0BRo8VzTh-OyL5yt5iiPu2spAGsChnydB2sJ905DJ38cu5Cbi5NCIy5ZyuRirFrr8IKu2mus0tvHTcDlXfh2i19XyCRu9IUj21L6vUuZNT3MJOFabUQpxpjpULszFeV9WP7_0Jhw/s320/fw_fwjp49426210_0020.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 可惜的是《天氣之子》在電影裡的敘事手法,太多《你的名字》的敘事框架。包括以女巫與神話傳說作為情節轉折,電影末段也出現男救女的安排,甚至是多年後的相遇。因此筆者認為《天氣之子》不過是以《你的名字》的舊瓶,添加新酒的升級版。不過從《言葉之庭》到《天氣之子》,其實是架構在同一個世界觀發生的不同故事,或許新海誠如此的安排僅是為未來作品做鋪陳也未可知。僅能期待未來新海誠是否能以新的敘事手法進行創作了。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-53261044673928630892019-09-25T17:33:00.002+08:002019-09-25T18:24:24.662+08:00 情陷斯卡布羅-美麗煉獄<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVSlG7ZwnnNbNTesXkDSCbAzruA4avgzNqFerICu7mHVhGcCrAsNtU9wq2Rm49UAhhNHhMjL680ot8hwOmIgvDBcbCdqkLLPcAav6unTJIX-Nypfzw_EOMWXzKd-91VaIjaftShcl1bX4/s1600/MV5BNDQyMGUxMjItNjMzNS00YmRlLWI5OTItNmVjNjBjM2ZjM2YwXkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1000" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVSlG7ZwnnNbNTesXkDSCbAzruA4avgzNqFerICu7mHVhGcCrAsNtU9wq2Rm49UAhhNHhMjL680ot8hwOmIgvDBcbCdqkLLPcAav6unTJIX-Nypfzw_EOMWXzKd-91VaIjaftShcl1bX4/s400/MV5BNDQyMGUxMjItNjMzNS00YmRlLWI5OTItNmVjNjBjM2ZjM2YwXkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 巴納比蘇斯康比(</span><span lang="EN-US">Barnaby
Southcombe</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)執導的《情陷斯卡布羅》改編自倫敦皇家宮廷劇院的熱門劇作。在電影的語彙下,巴納比蘇斯康比以充滿情感的鏡頭語言,對劇中的兩段師生戀投以最深情的凝視。且不只是片中兩段感情戲在畫面呈現上充滿了令人心醉神迷的情感溫度。就連片中斯卡布羅的風景,也洋溢著令人心動神搖的愛戀氣味。每一顆鏡頭彷彿在歌頌愛情的美好,卻也同時凸顯了愛情本來也帶來痛苦與折磨的一面。</span></div>
<div class="MsoNormal">
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTY5EZIIMiH9tqJC_nG4DQk2RcaquILW8wn81tRkDCdv4SIhmn4YWLX8s_BZUXEFuKRkNM45UYXR0McECU6PbQ6gjKyEHvA3QGhqxuVoF5SW_4Mv3croYWd5u0q-hKmdAXQQ9K6M16hVc/s1600/MV5BOTQyODA4OTAtY2UyNy00YmEzLWJiZjItZjRkYWE5ZDlmMWFkXkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_SY1000_CR0%252C0%252C1333%252C1000_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1333" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTY5EZIIMiH9tqJC_nG4DQk2RcaquILW8wn81tRkDCdv4SIhmn4YWLX8s_BZUXEFuKRkNM45UYXR0McECU6PbQ6gjKyEHvA3QGhqxuVoF5SW_4Mv3croYWd5u0q-hKmdAXQQ9K6M16hVc/s400/MV5BOTQyODA4OTAtY2UyNy00YmEzLWJiZjItZjRkYWE5ZDlmMWFkXkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_SY1000_CR0%252C0%252C1333%252C1000_AL_.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 《情陷斯卡布羅》的英文片名為「</span><span lang="EN-US">Scarborough</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">」。將片名直接告訴觀眾的原因,不只是斯卡布羅是故事發生的地點,也是電影裡最明顯有趣的影像符號。在電影開頭,觀眾看到兩對師生戀的老師萊特(</span><span lang="EN-US">Liz</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)與艾登(</span><span lang="EN-US">Aiden</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)不約而同地將自己的愛慕對象達茲(</span><span lang="EN-US">Daz</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)和貝絲(</span><span lang="EN-US">Beth</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)約在斯卡布羅的同一間飯店、同一層樓與同一間房間。兩段故事在時空交錯剪輯下看似相同又略有不同。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv7Q74HVoDvipt__rTsB2vcUHkrnCVwBu7IkRvND2s3o5gznXFdnbVunrVz7tkTnS-ii5BQ_nncinLa_SjcHZC1cW5fkzuLRspOL7pSHJBeuSJS2Pkr279YQ1NNy5gZCSVxjeO64Iea-s/s1600/MV5BMzgxYjBmOTEtYWJkMS00MDRjLWE2MGItNTNkNTc4NTFiYmM3XkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_SY1000_CR0%252C0%252C1333%252C1000_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1333" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv7Q74HVoDvipt__rTsB2vcUHkrnCVwBu7IkRvND2s3o5gznXFdnbVunrVz7tkTnS-ii5BQ_nncinLa_SjcHZC1cW5fkzuLRspOL7pSHJBeuSJS2Pkr279YQ1NNy5gZCSVxjeO64Iea-s/s400/MV5BMzgxYjBmOTEtYWJkMS00MDRjLWE2MGItNTNkNTc4NTFiYmM3XkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_SY1000_CR0%252C0%252C1333%252C1000_AL_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 首先,觀眾率先接受到的訊息是兩對戀情的四位角色,都離開了自己所熟悉的環境與城市,一同來到斯卡布羅。巴納比蘇絲康比導演不需要交代他們在本來世界的生活樣貌,透過他們在愛戀裡不時歡笑和擁吻等親密互動,觀眾很清楚能體會到他們在本來世界的生活裡,是無法自在的互訴衷腸。一切的根源都在於師生戀是世俗規範裡的禁忌。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在斯卡布羅,所有道德規範的枷鎖都得以鬆綁,所有在世俗的痛苦與遮掩、煎熬和欲求,在斯卡布羅皆能自然消解、盡情釋放。也因為斯卡布羅遠離塵囂,距離角色舊有世界有所距離,而成為逃避世俗規範及釋放心靈慾望的天堂,甚至具有象徵生命與戀情重新開始的重生意涵。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 斯卡布羅看似是完美無瑕的美好天堂,但舊有世界的限制卻也匍匐在暗處伺機而動,宛如始終糾纏他們的陰影。第一是飯店的規定。萊特與艾登以自己的名義開房,必須以單人房的形式完成手續,不能讓達茲與貝絲在房內的行蹤曝光。一但曝了光,他們將被舊有世界所放逐、唾棄。第二,達茲與貝絲在舊有世界與同儕間的戀情,在斯卡布羅緩慢地引爆,使得戀情陷入了危機。第三,做為一名成年教師的萊特和艾登,在舊有世界本身便有家室。隨身攜帶的手機是他們與舊有世界的聯繫橋梁,不斷叨擾的來電與訊息,成為舊有世界的呼喚。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmlCFgVSs6SvH2Qcth-DEsAlMGqamGv5zjAeth__Lrb7u_FRrcKNKUuz56R3EGkQfu1fx1ZaMSecCGMcVjcScUSKprhQebXq_156gTbocBAi6a00s0NBf6rCKaFhTZkHicC6vw1azPpw/s1600/MV5BMDEwYTE5NTItZWMzZS00MTRiLThhOTItMDQ5M2VmM2ZiYmE2XkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1000" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmlCFgVSs6SvH2Qcth-DEsAlMGqamGv5zjAeth__Lrb7u_FRrcKNKUuz56R3EGkQfu1fx1ZaMSecCGMcVjcScUSKprhQebXq_156gTbocBAi6a00s0NBf6rCKaFhTZkHicC6vw1azPpw/s400/MV5BMDEwYTE5NTItZWMzZS00MTRiLThhOTItMDQ5M2VmM2ZiYmE2XkEyXkFqcGdeQXVyMDc2NTEzMw%2540%2540._V1_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 這三項訊息不斷的提醒他們舊有世界的存在,也像是在提醒著他們看似來到逃避道德規範的天堂,卻無形中依舊被道德教條所束縛。斯卡布羅看似天堂,卻也依舊宛如被道德所追殺的美麗煉獄。如同</span><span lang="EN-US">1936</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年喬治庫克(</span><span lang="EN-US">George
Cukor</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)執導的《茶花女》一般,劇中瑪格麗特(</span><span lang="EN-US">Marguerite</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)與亞芒(</span><span lang="EN-US">Armand</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)雖然來到鄉村,企圖逃離世俗的社會秩序與塵囂,但男爵的古堡卻是他們終究難以擺脫過去的陰影。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在導演巴納比蘇斯康比的視域之下,道德規範就是世俗的標準,無論是作為學生或是教師,在接受愛情的甜美之後,也勢必得吞下愛情的苦果。道德規範的枷鎖終究是生命裡難以擺脫與無視的情感宿命。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照取自</span><span lang="EN-US">imdb<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:
<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-56180672426306616762019-09-08T17:21:00.000+08:002019-09-08T17:24:59.147+08:00沙膽英-工廠與家庭<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig-EGz7n5sxrFTJaLG_mGfqPdXA0_TGoPiabGUafUBdOYFZYyOEghuFZ3OWN1INJXDQPVvqOU4KUI9IcVE7N0w-E1a8QxsQXZDoPPEWLwJCmwp0S_MWXWbqciONyX3c8Jwq4wuNbKJ2RI/s1600/p2561519357+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="958" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig-EGz7n5sxrFTJaLG_mGfqPdXA0_TGoPiabGUafUBdOYFZYyOEghuFZ3OWN1INJXDQPVvqOU4KUI9IcVE7N0w-E1a8QxsQXZDoPPEWLwJCmwp0S_MWXWbqciONyX3c8Jwq4wuNbKJ2RI/s400/p2561519357+.jpg" width="400" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 今年的國際女性影展很難得的選映了孫仲導演</span><span lang="EN-US">1976</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的作品《沙膽英》。《沙膽英》當時臺灣的上映片名為《工廠大姐》,屬於當時反映香港社會劇變時期,香港社會問題的社會奇情類型電影。導演孫仲與編劇司徒安以女性意識覺醒,挺身對抗男性沙文主義作為貫穿《沙膽英》全片的核心主題。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijf1yhsnzTo_LKLdS5xqu2BH7-j0Id2qcSfwKBb5lw7D9xqifxsPn65rRnEG9ye9LNS8FXHYbMj5lMlr6Gg8hDaA0w6UF9bOSiqE4fsVky-jTZH48eQJwGUiXCHO3b7JUEQ0EwYhfVBYc/s1600/p2561519376.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="958" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijf1yhsnzTo_LKLdS5xqu2BH7-j0Id2qcSfwKBb5lw7D9xqifxsPn65rRnEG9ye9LNS8FXHYbMj5lMlr6Gg8hDaA0w6UF9bOSiqE4fsVky-jTZH48eQJwGUiXCHO3b7JUEQ0EwYhfVBYc/s400/p2561519376.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> </span><span style="font-family: , serif;">對筆者而言,全片最精彩的部分是孫仲與司徒安如何善用主角們工作的成衣工廠,將其作為全片敘事的核心與符碼,讓陳芳、李細珠、馮英(沙膽英)在成衣工廠聚首,並循序漸進的賦予工廠新的涵義。這些女性們雖然來自不同成長背景與地區,卻背負著曾遭受男性沙文主義凌虐的傷口。</span><br />
<div class="MsoNormal">
<span lang="EN-US"><o:p></o:p></span></div>
</div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 當這些女性在工廠裡聚首後,也因為彼此極其類似的心理創傷而找到了認同感,從而在離開自己本就破碎的家庭後,在工廠裡重新組成一個新的家庭樣貌。並隨著工廠其他女工包括阿萍、小鳳等反抗男性沙文主義的成功、心理創傷的逐漸癒合,而使得新組成的工廠家庭成員間情感愈加緊密。正因為如此,成衣工廠遂從女工們的工作場所、養家餬口的場域,轉變為家庭與認同的符碼。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi93Ko5qmitGGjC6S89uo1q9xtWOTLWhSXR-UtB0iU_sWWBLT0U7Gvt350o0dmOFqtCFxRALSKkU83nwW3QQbyP3P8vfSM8kWl46xYV2FPDnsHz2EOs-Xp5S3Qp61uSfkIUraecyf_Q5xY/s1600/p2561519366.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="958" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi93Ko5qmitGGjC6S89uo1q9xtWOTLWhSXR-UtB0iU_sWWBLT0U7Gvt350o0dmOFqtCFxRALSKkU83nwW3QQbyP3P8vfSM8kWl46xYV2FPDnsHz2EOs-Xp5S3Qp61uSfkIUraecyf_Q5xY/s400/p2561519366.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 在這樣的家庭符碼象徵意義之下,這些隱忍男性沙文主義的傳統女性,打破了中國傳統對女性的要求,走出了家庭的藩籬,勇敢的站在為女性爭取權益的一方。同時這些受害女性從父權社會的受害者,轉變成反抗家庭(男性)霸權的革命者、搖起女權主義革命的旗幟。這些女性聚首,反映出女性不該作為男性的附庸、生育工具的價值。面對不甚公平的性別待遇,應該適度的捍衛身為女性的基本尊嚴。這時,</span><span style="font-family: , serif;">工廠不僅僅再是單純的新家庭象徵,反而開展出另一層反抗男性霸權的女性自主團體的意義。</span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 它所反抗的對象不單單是片中陳芳的繼父與叔叔,或是意圖侵犯細珠表妹等,因性驅動而舉止越過道德邊界的登徒子們。大雞陸為首的黑幫團體,所做為傳統男性霸權的代表,才是女工們所真正要反抗對象。因此片尾大雞陸的殞落與黑幫的瓦解,其實正象徵著傳統男性霸權的瓦解及女性自主與解放的一次勝利。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5yGUSBENyyxsLROWZTCN8hCIdPUvZtaRAcjGqpYghf59wGJoqzHQLm2QM2OwJI7ibLjGX8TUYHtuYP124Gxfj7knSpAMO5CPM0ubzXT2qCHvlzX3Da2-Mcq6vC-O9ZGwLHV8a5FAObh4/s1600/p2561519341.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="958" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5yGUSBENyyxsLROWZTCN8hCIdPUvZtaRAcjGqpYghf59wGJoqzHQLm2QM2OwJI7ibLjGX8TUYHtuYP124Gxfj7knSpAMO5CPM0ubzXT2qCHvlzX3Da2-Mcq6vC-O9ZGwLHV8a5FAObh4/s400/p2561519341.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 不過孫仲與司徒安也並未完全醜化所有男性,王鍾飾演的沙膽英前男友劉偉是作為男性霸權團體中的清流代表。而片中出現陳觀泰主演《成記茶樓》、《大哥成》的主角大哥成,不只是使《沙膽英》作為「<i><b>大哥成</b></i>」系列江湖片的衍生作品之一,該角的客串亦彰顯出男性可為了維護女性生存價值,而挺身捍衛女性自主的男性形象。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 孫仲與司徒安善用類型電影的元素,在呈現當時香港社會景況之餘,一步步的改寫、賦予成衣工廠的新意義。從家庭推展到女性自主敘事堆疊,彰顯了《沙膽英》作為女性自覺的價值,亦凸顯了孫仲與司徒安的說書本事。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照取自豆瓣電影:</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><a href="https://movie.douban.com/">https://movie.douban.com/</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-25607173403914955082019-09-01T16:32:00.001+08:002019-09-03T14:42:58.678+08:00 巴黎情報局:第一季-臥底解剖學<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfuKtQx4H6EPtu-Zt84kUW49jkk9VgK_FZvwFLPEvo04ZewhuHnGnWrOcqi6mswzpWXPtm4uL6s-Q7-mbZtFaj_QwUUMahzXAKLy9M9J4RiOncPeqz1awUnJpISsC7kLzKVtL3iUi4Nn4/s1600/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A707.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="790" data-original-width="1600" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfuKtQx4H6EPtu-Zt84kUW49jkk9VgK_FZvwFLPEvo04ZewhuHnGnWrOcqi6mswzpWXPtm4uL6s-Q7-mbZtFaj_QwUUMahzXAKLy9M9J4RiOncPeqz1awUnJpISsC7kLzKVtL3iUi4Nn4/s400/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A707.jpg" width="400" /></a></div>
<br />
<br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 艾瑞克侯相(</span><span lang="EN-US">Éric Rochant</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)製作的《巴黎情報局》是一部迥異於好萊塢快節奏、高張力敘事風格的諜報影集。相反的艾瑞克侯相在卸除精彩槍戰、炸彈攻擊、飛車追逐等商業元素後,改以貼近現實社會的方式,一方面緊扣敘利亞、伊斯蘭國的時事,另一方面則呈現不同單位、派系之間的心理攻防、互顯心機的謀略廝殺作為《巴黎情報局》的故事主軸。在這樣的故事選擇之下,艾瑞克侯相宛如手拿一把解剖刀,一步步的切開法國對外安全總局的核心,以特務老鳥大老粗(</span><span lang="EN-US">Malotru</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)、菜鳥瑪琳娜(</span><span lang="EN-US">Marina</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)為敘事中心,揭露出作為一名特務的所應注意的臥底準則。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip2U-me-UZGETy_D93DFkMHDGjlr3euZVp52crLFprDdH71uybfVbmcLaXSVlpIgQdbpolrC_jfU9ztmAZz8qiVhvgvkgWuCYi4OHXUmFl18uObdgo9XlYP7mohV5XjhSA23Qc2X1IEuI/s1600/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A714.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1065" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip2U-me-UZGETy_D93DFkMHDGjlr3euZVp52crLFprDdH71uybfVbmcLaXSVlpIgQdbpolrC_jfU9ztmAZz8qiVhvgvkgWuCYi4OHXUmFl18uObdgo9XlYP7mohV5XjhSA23Qc2X1IEuI/s400/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A714.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 首先,臥底特務必須在虛假的身分偽裝下獲得情報、完成任務。不過,艾瑞克侯相替臥底身分賦予了「<i><b>防護罩」</b></i>的意義。防護罩亦即臥底身分是真有其人,如同大老粗在伊朗的臥底身分保羅斐勒。不只姓名相同、外貌相似,人生經歷也必須是吻合。如此,即便身分遭到懷疑被追查,亦能全身而退。臥底特務如同戲子,戲作足了就能說服他人,亦是臥底任務的重要環節。這樣虛實混淆的身分設計,著實是過去諜報片中難得一見的構想。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 不僅如此,艾瑞克侯相在《巴黎情報局》裡又提出了更多作為一名優秀特務,在臥底時該當擁有的技能。分別是酒、刑求。這些技能的重點是在慎防真實身分敗露,畢竟特務在異國臥底,只要身分曝露,就有可能間接引發兩國的戰爭。因此在喝酒的測試裡,臥底特務不需千杯不醉,僅須慎防酒後吐真言的危機。</span><span style="font-family: , serif;">以旋風為例,因長官包庇,未接受喝酒測試便前往阿爾及利亞臥底,以致因酒誤事。</span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDLwIjFShDej73QGE-akLtYLxG6PM7IquB1Ol4rNvqP13v0gzghn7hApwAvD5CSrrnnQM7Tl7B-6qGoG4_pN9cpCHITHuz22556MH452k80TXkJMLaAhuNUN2ZA0RhAbSnx1abijkCstk/s1600/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A710.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1065" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDLwIjFShDej73QGE-akLtYLxG6PM7IquB1Ol4rNvqP13v0gzghn7hApwAvD5CSrrnnQM7Tl7B-6qGoG4_pN9cpCHITHuz22556MH452k80TXkJMLaAhuNUN2ZA0RhAbSnx1abijkCstk/s400/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A710.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 刑求亦是致使身分曝露的重要手段。不只是平時訓練員的測試,劇中的對外安全總局亦安排在日常生活裡、出任務時將其擄走測試。比如瑪琳娜的刑求測試。即便對方如何威脅利誘、摑掌凌虐,口徑需要一致方能無虞。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 當然,訓練是一回事,如何處理實際臥底時發生的突發狀況,才是作為一名臥底特務的必要能力。瑪琳娜為了成功前往伊朗,一路上剷除了競爭對手。面對莫名的滯留,亦成功逃離飯店。作為瑪琳娜的訓練官兼任務聯絡官的瑪莉珍(</span><span lang="EN-US">Marie-Jeanne</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)一再提醒瑪琳娜,任務期間沒有真朋友,切勿動情。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 與此對照之下,大老粗在任務結束後,和舊情人娜迪亞(</span><span lang="EN-US">Nadia</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的難分難捨的情感眷戀,不只讓大老粗難以真正卸下臥底身分,也隨著身分曝露的危機,一步步地威脅到對外安全總局,甚至是法國的國土安全。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIqdxsGfOOvg7MVs_LAzrDfhPKUpodR3KMmSlALbgXmfeAJIrwo_t2E6JbqwFg6LXA29Nd5v1ma7xzXrqzNJw1cKgjTS5TJANtpWQkHxID_tHXTsjX0bOa___2CrQ1V6MKnbNyfrg-1gk/s1600/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A706.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1031" data-original-width="1600" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIqdxsGfOOvg7MVs_LAzrDfhPKUpodR3KMmSlALbgXmfeAJIrwo_t2E6JbqwFg6LXA29Nd5v1ma7xzXrqzNJw1cKgjTS5TJANtpWQkHxID_tHXTsjX0bOa___2CrQ1V6MKnbNyfrg-1gk/s400/%25E3%2580%2590%25E5%25B7%25B4%25E9%25BB%258E%25E6%2583%2585%25E5%25A0%25B1%25E5%25B1%2580The+Bureau%25E3%2580%2591%25E7%25AC%25AC%25E4%25B8%2580%25E5%25AD%25A3_%25E5%258A%2587%25E7%2585%25A706.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 艾瑞克侯相在《巴黎情報局》的敘事上,利用資深的大老粗和菜鳥瑪琳娜的兩條敘事線,一方面作為特務經歷的對比,另一方便則像是特務生活的生命紋路,隨著故事的鑽深而越發有味道。旋風看似莫名消失,卻又如同水面的漣漪,漸漸地讓對外安全總局內部的權力鬥爭、各單位間的彼此明爭暗鬥的危機浮上檯面,成為串聯整季劇集的關鍵人物。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而《巴黎情報局》劇本的高明之處,更是在看似缺乏商業動作元素的劇本裡,如何充分的利用敘事節奏的拿捏與氣氛的烘托,讓每場跟蹤戲、電話聲響、視訊會議、談判桌上掀起一次次充滿戲劇張力的刀光劍影,串聯起一場又一場的精采拿手好戲,是喜愛諜報片的影迷們不可錯過的精彩作品。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由想映電影院提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-82622819068540749572019-07-29T13:30:00.000+08:002019-07-29T15:16:32.326+08:00痛苦與榮耀-溫柔的和解<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuAH6BKQjJfM-ZjxqZCnRAgZP-76xTYMlA1KNU-bZxahlVLmc4yTQ-2ViBDhOsrRhMTCgiephvYJ7aFVErX2SaTeV3-i2HWDBRl2H1Ur1rCqq-Blo2h84m5j2-gIMYHaTyy2azb3p9T34/s1600/fx_fpes58291806_0020.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuAH6BKQjJfM-ZjxqZCnRAgZP-76xTYMlA1KNU-bZxahlVLmc4yTQ-2ViBDhOsrRhMTCgiephvYJ7aFVErX2SaTeV3-i2HWDBRl2H1Ur1rCqq-Blo2h84m5j2-gIMYHaTyy2azb3p9T34/s400/fx_fpes58291806_0020.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 熟悉阿莫多瓦(</span><span lang="EN-US">Pedro
Almodóvar Caballero</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的影迷,大概會以對女性有深刻的描繪及豐富的劇情轉折與戲劇張力,甚至將所有人世間的痛苦根源,都指向人們內心難以抑制的慾望泉湧來形容阿莫多瓦的作品。不過《痛苦與榮耀》或許會稍微翻轉觀眾對其作品的印象。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyYmHJGwBB13tryYaFpk61Y-c5Ye-ckt9eJJjsKLfH78fLJ_rwmIIvdN9zAqO9Qvft7U-BZ5N7BpayMPocsc2o7KdMpg5hfNbhSaBhoHN-x1IoHjBa5VC-DSW2QQklaaDZkPg75EpWVI0/s1600/fx_fpes58291806_0016.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyYmHJGwBB13tryYaFpk61Y-c5Ye-ckt9eJJjsKLfH78fLJ_rwmIIvdN9zAqO9Qvft7U-BZ5N7BpayMPocsc2o7KdMpg5hfNbhSaBhoHN-x1IoHjBa5VC-DSW2QQklaaDZkPg75EpWVI0/s400/fx_fpes58291806_0016.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 筆者認為《痛苦與榮耀》和</span><span lang="EN-US">2004</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的《壞教慾》就像是阿莫多瓦的導演姊妹作,兩部作品或多或少都保有阿莫多瓦過往人生的部分投射。但相較於過去作品充滿驚人的情節轉折與戲劇張力,《痛苦與榮耀》反而更為內斂與私密,並更加貼近現實,宛如阿莫多瓦最清澈透明的生命倒影。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 阿莫多瓦在《痛苦與榮耀》裡以一部時隔</span><span lang="EN-US">32</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的修復版電影《味道》貫穿了整部電影,並藉此一步步掀開導演薩瓦多馬洛(</span><span lang="EN-US" style="background: white; color: black; font-family: "arial" , sans-serif; letter-spacing: 0.75pt;">Salvador </span><span lang="EN-US">Mallo</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的生命悔恨與痛楚。《味道》如同時光機,讓薩瓦多和男主角</span>Crespo<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">重新聚首,卻也使得兩人不得不正視那道未曾癒合的往事傷痕。</span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvtwFFtS_IjTq5iTnlZ1B1St4BQ_Mq9PgeFqOgkSyerScsSbt97ZJAnmIaOZd9nBl7Ul9FMr_xuxAO6L2ghAtb3np7TB_AisrkExsWflz_Eop2NT-pZcWMXS7w4Bk3CZaoslCCfYQeEnU/s1600/fx_fpes58291806_0003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvtwFFtS_IjTq5iTnlZ1B1St4BQ_Mq9PgeFqOgkSyerScsSbt97ZJAnmIaOZd9nBl7Ul9FMr_xuxAO6L2ghAtb3np7TB_AisrkExsWflz_Eop2NT-pZcWMXS7w4Bk3CZaoslCCfYQeEnU/s400/fx_fpes58291806_0003.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 薩瓦多飽受疾病痛苦的折磨,身體的病痛是飽經風霜的歷練投射,卻也使他再也無法進行導演工作。身體病痛在《痛苦與榮耀》裡,一方面與薩瓦多內在心理的痛苦成為敘事上的對比,卻也是召喚薩瓦多重回童年往事的鐘聲。而舒緩病痛的海洛因則成為進入回憶的入場券。在身體全然放鬆與痛苦短暫消解的狀態下,童年的青草香、母親的歌聲、洞穴屋的溫暖陽光及握住艾督瓦(</span><span lang="EN-US">Eduardo</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)雙手的溫度與眼神交流的深情,才能自然的流進薩瓦多的潛意識裡。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8OY-qG9k7tzafpnbGiYRxyi97KSaNzNpYQiTCj15EJm2h38A8PgHdY1_aelthym6gSaDLqJnoquPPMdFBj_J7RqjNzwUxw5ptPGJDWVElt_1nUDlfpC4LBSUvdMcFZvTNhJT0oXvKcAA/s1600/fx_fpes58291806_0001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8OY-qG9k7tzafpnbGiYRxyi97KSaNzNpYQiTCj15EJm2h38A8PgHdY1_aelthym6gSaDLqJnoquPPMdFBj_J7RqjNzwUxw5ptPGJDWVElt_1nUDlfpC4LBSUvdMcFZvTNhJT0oXvKcAA/s400/fx_fpes58291806_0001.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 修復版《味道》在《痛苦與榮耀》裡,不僅迫使薩瓦多必須重新審視前塵往事的傷痕。它的另一個作用,亦是讓薩瓦多在面對心靈傷口的同時,設法和傷口達成和解。比如薩瓦多與<span style="font-family: "times new roman";">Crespo</span>在電話映後座談,透過爭執理解各自的想法與感受,達到了關係的修補。也因為這層關係的修補,又間接的因為《成癮》化解過往戀情的缺憾。而那幅童年畫,是薩瓦多性啟蒙的青春印記。隨著畫作輾轉回到薩瓦多的手上,畫作背面的隻字片語,也對薩瓦多的青春遺憾完成了感人的填補。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 對阿莫多瓦人生經歷稍有了解的影迷,一定能在《痛苦與榮耀》中,發現薩瓦多的童年往事,全然是阿莫多瓦的童年經歷。也就是說當電影裡的薩瓦多在回憶裡,終於透過理解放下了對母親的不諒解時,阿莫多瓦也藉由薩瓦多依偎在母親懷裡,在璀璨的煙火光芒的映照下,淨化了自身的靈魂,並以溫柔的筆觸替童年的記憶刷上了動人的色彩了。在這顆鏡頭裡,我們看到一名導演內心浪漫的一面,那是屬於年近古稀的老導演才獨有的深情厚度。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhKhsIIwZjTJxoXsuIxM1h8P6Kcnz-sINPmF1BKW4NQt0G8rTBTzeXgmiHn3jRcHdOWHqftkoWDOh6_Zzn8aw9Z1aZBaj9_DoY6qOcWwyp9DTJ3_gaxGjuRdicAuCIQ08lj00ltjHB6c8/s1600/fx_fpes58291806_0007.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="476" data-original-width="800" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhKhsIIwZjTJxoXsuIxM1h8P6Kcnz-sINPmF1BKW4NQt0G8rTBTzeXgmiHn3jRcHdOWHqftkoWDOh6_Zzn8aw9Z1aZBaj9_DoY6qOcWwyp9DTJ3_gaxGjuRdicAuCIQ08lj00ltjHB6c8/s400/fx_fpes58291806_0007.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 阿莫多瓦以一部橫跨</span><span lang="EN-US">32</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的《味道》,串聯起薩瓦多的往事前塵,同時藉由喉嚨手術的身體修復和電影的修復,完成心理傷口的治癒以及對往事的和解。《痛苦與榮耀》無疑是阿莫多瓦在遲暮之年對自我生命的深情回望,以自身的情感灌注在電影中,藉由《痛苦與榮耀》修補生命裡難以忘懷的缺憾,再以心靈傷口的舔舐,完成了阿莫多瓦生涯最為溫暖又動人的生命和解篇章。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-60698015590190706002019-07-24T16:52:00.001+08:002019-07-24T17:28:01.610+08:00沙贊!-成長的路徑<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK2Kuxu5jssVX6xSr0AaucgK_0_tdG98BZaABdabnRdjLf9SvhNlixeQcV0KsaZd4A0YbVPt8TtwyrWIR-s9-cb4HwzSU6he6FPH-UItO3fY26joTcfLB1thhURaEK524q5W6HwOqFZrQ/s1600/fx_fsen40448115_0014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="332" data-original-width="800" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK2Kuxu5jssVX6xSr0AaucgK_0_tdG98BZaABdabnRdjLf9SvhNlixeQcV0KsaZd4A0YbVPt8TtwyrWIR-s9-cb4HwzSU6he6FPH-UItO3fY26joTcfLB1thhURaEK524q5W6HwOqFZrQ/s400/fx_fsen40448115_0014.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 超級英雄電影是好萊塢近十年來的新進搖錢樹,為了讓觀眾不會看膩超級英雄的故事,好萊塢不斷求新求變的在原本的漫畫故事裡,翻找能夠翻轉觀眾對超級英雄既定印象的新類型英雄。舉凡故事「<b>體質</b>」改變的《雷神索爾:諸神黃昏》及《羅根》,將英雄類型元素的原著故事與其他類型元素結合。而傭兵英雄《死侍》和《沙贊!》則是將原著故事裡,性格獨特的英雄搬上大銀幕,可說是替死板的英雄故事注入了新鮮討喜的元素。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfw8nGoFR5U-cAFfHj8uO_O-52OU5cXi0Bh9H-1XivEtBMvhqX-_GSb9RvRxrS1xBn6DRNV4pNu3KfJNX7G2fhcmHRl8nFwKrlu4JBzalKbxtEnQL25XXiqpDSnf7yE92Ua-2blHIFzN8/s1600/fx_fsen40448115_0022.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfw8nGoFR5U-cAFfHj8uO_O-52OU5cXi0Bh9H-1XivEtBMvhqX-_GSb9RvRxrS1xBn6DRNV4pNu3KfJNX7G2fhcmHRl8nFwKrlu4JBzalKbxtEnQL25XXiqpDSnf7yE92Ua-2blHIFzN8/s400/fx_fsen40448115_0022.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 但只要是資深的影迷,一定能在《沙贊!》裡看到熟悉的影子。這影子來自湯姆漢克(</span><span lang="EN-US">Tom Hanks</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)</span><span lang="EN-US">1988</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的名作《飛進未來》。且導演大衛桑柏格(</span><span lang="EN-US">David F. Sandberg</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)和編劇亨利蓋登(</span><span lang="EN-US">Henry Gayden</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)等人,絕對是有意致敬。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 湯姆漢克在《飛進未來》裡,精彩的詮釋了身體成長後卻童心未泯,甚至意外成為玩具公司部門主管的故事。他對玩具市場的精人觀點與剖析,正是來自於他尚稚齡的童心。《沙贊!》亦然,比利(</span><span lang="EN-US">Billy</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)雖然臨危受命接下英雄身分的重任,但身體長大的他,卻依然有著孩子的靈魂與思維模式。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而且只要是看過《飛進未來》的影迷,絕對對那塊鋼琴地板印象深刻。那是湯姆漢克在玩具店玩心大發,和玩具公司老闆「<b>四腳連彈</b>」的重要橋段,也是他以玩心和會玩的本能彈奏出的音樂,和老闆進行了下對上的挑戰與溝通,最終擄獲老闆的心。而當沙贊(</span><span lang="EN-US">Sharzam</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)和反派希瓦納(</span><span lang="EN-US">Sivana</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在玩具店踏上的鋼琴地板,正是大衛桑柏格有意致敬《飛進未來》的證據。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJAir2tIufAFHdRqPAW9tzlkYo7sO_JGRryHJv2qcWUyXJ6Hww5ELE2V-4IAIptYCU_pTWg4PLZ0EaJ8WJoWB4itJQmejUmiIUWMfwUNQQlh_tUBXChdTsXQXAS6lnBDfEUK3_RK2XsrM/s1600/MV5BMTA2MjYwNjY4MDNeQTJeQWpwZ15BbWU3MDQ0NDg1ODQ%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="490" data-original-width="700" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJAir2tIufAFHdRqPAW9tzlkYo7sO_JGRryHJv2qcWUyXJ6Hww5ELE2V-4IAIptYCU_pTWg4PLZ0EaJ8WJoWB4itJQmejUmiIUWMfwUNQQlh_tUBXChdTsXQXAS6lnBDfEUK3_RK2XsrM/s400/MV5BMTA2MjYwNjY4MDNeQTJeQWpwZ15BbWU3MDQ0NDg1ODQ%2540._V1_.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 大衛桑柏格甚至將《飛進未來》的敘事結構套用在《沙贊!》的英雄類型電影的敘事結構裡。舉例而言,《飛進未來》的主角賈許(</span><span lang="EN-US">Josh</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)身邊有一名知道真相的好朋友比利(</span><span lang="EN-US">Billy</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)作為盟友。《沙贊!》的主角本名不只與比利暗合,身邊亦有一名知道真相的寄養家庭「<b>親友</b>」佛萊迪(</span><span lang="EN-US">Freddy</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 只是導演潘妮馬歇爾(</span><span lang="EN-US">Penny
Marshall</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在《飛進未來》裡,有計畫地描述賈許變成大人後,如何誤打誤撞的成為部門主管的過程,甚至談了一場動人的戀愛。大衛桑柏格卻必須被英雄電影的套路所局限,使得沙贊除了「<b>賣藝</b>」賺取額外收入,還必須沒來由地與希瓦納對戰。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 賈許在《飛進未來》裡,一方面想找到恢復身體的方式,另一方面則要對抗嫉妒賈許的同事。而《沙贊!》作為一部英雄類型電影,不得不走回英雄類型電影的框架,不得不對抗自我內心所投射出來的陰影面,從而在對抗過程中對內心弱點進行修補,藉此獲得心靈成長的陳舊套路。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoQiiA_311YGhIv4wUCwJ9Uvn9oo5TDmRrqOXPO31B-I11UeyQ6BgHX5p05PJPvGh2w4tiBs4hIBqDjiyVdV3WR7pCr0fjoPP69mCwpuisPD0Q_FitE1pSf5UGj2ddYh0QjbPVmRji8oc/s1600/fx_fsen40448115_0023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoQiiA_311YGhIv4wUCwJ9Uvn9oo5TDmRrqOXPO31B-I11UeyQ6BgHX5p05PJPvGh2w4tiBs4hIBqDjiyVdV3WR7pCr0fjoPP69mCwpuisPD0Q_FitE1pSf5UGj2ddYh0QjbPVmRji8oc/s400/fx_fsen40448115_0023.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 希瓦納和比利的背景故事雷同,希瓦納渴求血親的認同,並期望以七原罪的力量填補內心的匱乏。反之比利遭到母親的刻意遺棄,但他並未以沙贊的超人之力填補對母愛的渴求。相反的,他不斷逃離寄養家庭,最終也在母親的拒於門外,和寄養「<b>血親</b>」之間,找到了新的認同感,從而在新的寄養家庭裡形塑了新的家庭樣貌。因此相較於《飛進未來》以回歸原生家庭的血親根源,大衛桑伯格則選擇建立新的家庭,突破並改寫了《飛進未來》的故事走向。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 可惜大衛桑伯格終究被英雄類型元素所綑綁,善惡對決的陳舊套路間接地削弱了寄養家庭成員彼此的情感張張力,甚至拖慢電影節奏。導致《沙贊!》在角色成長的路徑上不像《飛進未來》如此的明確與集中,即便有了《飛進未來》的外皮,卻終究是英雄血肉,最終還是得向英雄類型靠攏。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">《飛進未來》劇照,取自</span><span lang="EN-US">IMDB:<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><a href="https://www.imdb.com/?ref_=nv_home">https://www.imdb.com/?ref_=nv_home</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:
<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-56687755214845331212019-07-14T11:58:00.000+08:002019-07-14T13:58:00.533+08:00爸媽死了,我卻不想哭-音符的溫度<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEnsgrfw8-8MfWowZb5jEk2IMZctDQzA26vKzu1-p_I_fEnle3URupRazYrAFZYULWvHUaWoR36iyDyJdPLFpDBLquhxoUp3PXK1-hQMzTChqUWaoh7lumtloAkN9K44yTDvSbSAM9fIs/s1600/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEnsgrfw8-8MfWowZb5jEk2IMZctDQzA26vKzu1-p_I_fEnle3URupRazYrAFZYULWvHUaWoR36iyDyJdPLFpDBLquhxoUp3PXK1-hQMzTChqUWaoh7lumtloAkN9K44yTDvSbSAM9fIs/s400/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+03.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 編導長久允的首部處女作長片《爸媽死了,我卻不想哭》,延續了兩年前的短片作品《金魚亂倒少女日記》的影像風格與議題。長久允在影像上的實驗性拍攝方式,舉凡觀眾周遭生活接觸的廣告、</span><span lang="EN-US">MV</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">、新聞、節目、手持、定焦、魚眼、長鏡頭等等的影像呈現皆將其融於一爐,是長久允的獨特風格。且各種手法的呈現皆各安其位,而不至於雜亂無章,甚至宛如煙火般併發出影像敘事上的活力與新鮮感,十分特別!</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyrXMwvSgm2w581_6qYmMGI5ibsly_9YyACcgKXMG_oMYcfha3Oq3I2AQczc-K9fuqjOZKHS-YBGYt_yqvm2Q0zGEofNWbkePFrqvA_he6EAeJHQMubk5Dum4rn_XYd3K_r-yK-aHNS9I/s1600/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyrXMwvSgm2w581_6qYmMGI5ibsly_9YyACcgKXMG_oMYcfha3Oq3I2AQczc-K9fuqjOZKHS-YBGYt_yqvm2Q0zGEofNWbkePFrqvA_he6EAeJHQMubk5Dum4rn_XYd3K_r-yK-aHNS9I/s400/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+18.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 作為一部交代四名無感情的青少年,藉由組成樂團找回情感的故事。長久允如何在影像上呈現出溫度的質感,是全片最有趣的部分。長久允延續前作,以章回體進行敘事。在章回體的敘事下,電影本身往往會因為不斷地打斷觀眾觀影,使得電影本身與觀眾保持了一種疏離感。再加上長久允在片中加入了掌上機的電玩元素,使得影像上的冰冷感與疏離感獲得了一定程度的強化。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而這層冰冷的影像質感,是長久允凸顯現實社會荒謬的方式。舉凡喪禮制度與成人對阿光的冷漠與疏離、火葬場員工的矯情、社會制度與網路生態的冷酷等等。但編導長久允並沒有打算讓影像呈現一貫的冰冷死寂,而是讓冷與熱的元素在多場戲裡並置。比如火葬的溫度對比了死亡與成人的淡漠、歌迷的狂熱對比社會的殘酷、樂團作為家庭的符碼,對比唱片公司的無情、孩子在車站的熱血逃亡,對比喪屍車站的疏離等。如此極端的影像對比之下,反而營造出敘事上的衝突美感。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidwopi3qCPz5PfJWPmvOU1BYPDVujVjjVqHC8D4QanrXqcHUfVpizPyGAXhNkLR6Z2mJa7k6xFvc2BUAeCS8vEfu5PCAPrp92rKB1JUSN2uI43LLhHk1sM-Sb5XhJS9QrbznNIwZ-XCng/s1600/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidwopi3qCPz5PfJWPmvOU1BYPDVujVjjVqHC8D4QanrXqcHUfVpizPyGAXhNkLR6Z2mJa7k6xFvc2BUAeCS8vEfu5PCAPrp92rKB1JUSN2uI43LLhHk1sM-Sb5XhJS9QrbznNIwZ-XCng/s400/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+13.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 其中最讓筆者欣賞的是長久允在音樂溫度上的設計。他將電影中的音樂作了三種程度的區分。首先,古典樂的純粹與典雅在郁子眼中只是「<i><b>裝清純的婊子</b></i>」,這並非長久允對古典樂的否定,而是強調父母期望與郁子興趣背道而馳的諷刺筆法。至於搖滾樂的部份,在樂團歌曲〈</span><span lang="EN-US">We Are Little Zombies </span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">〉、〈</span><span lang="EN-US">This Will Be Our Year</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">〉和〈</span><span lang="EN-US">Zombies But Alive</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">〉的脈絡下,長久允透過歌詞刻劃孩子們對親情追戀的溫柔與深情,甚至是情感溫度的流動與逐漸釋放。古典樂與搖滾樂的曲風對比,一個是成人期望的縮影,另一個則是孩子情感的真實投射。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 不過,最讓我佩服的是電玩電子音樂的運用。當缺乏感情的電子音樂出現時,在影像搭配上往往都是諷刺現實社會過於荒謬的情節。它就像提示音,觀眾可以從缺乏情感的冰冷音符和影像的結合中體會出來。尤其當阿光選擇讓垃圾般的人生結束時,黑白畫面、字幕和音符的搭配,儼然是絕望的輓歌。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioWt46WPyme9OpuynQBfpqXyo4qUcIfMnUptsbNSnmwmTA70bzpC1qxlZaYLJgviFSNW94pKSzkyTQ1K-BaVTl1UuNZFRbgKpBPSMTY5mLhPTNv8Tks7FdOEr0MixE3OnVkEPlkQY-Daw/s1600/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioWt46WPyme9OpuynQBfpqXyo4qUcIfMnUptsbNSnmwmTA70bzpC1qxlZaYLJgviFSNW94pKSzkyTQ1K-BaVTl1UuNZFRbgKpBPSMTY5mLhPTNv8Tks7FdOEr0MixE3OnVkEPlkQY-Daw/s400/%25E3%2580%258A%25E7%2588%25B8%25E5%25AA%25BD%25E6%25AD%25BB%25E4%25BA%2586%25EF%25BC%258C%25E6%2588%2591%25E5%258D%25BB%25E4%25B8%258D%25E6%2583%25B3%25E5%2593%25AD%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 但是當阿光在夢醒後,音符所搭配的畫面反而是孩子們決定前往阿光父母生前的目的地。電子音符從阿光的生命符號轉變為成長的印記,隨著阿光對生命的頓悟與理解,音符也隨著阿光的成長開始悸動和跳躍,原本冰冷的音符頓時充滿了飽滿的生命力和喜悅之情。孩子的成長與蛻變,也就有了沁人心脾的動人力道。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 總體而言,長久允在《爸媽死了,我卻不想哭》中,融合了豐富的影像剪輯、構圖與景框的使用,打破了近年日本電影較為緩慢,以勾勒角色情感細膩度的敘事框架。長久允在細膩刻劃四名孩子的成長歷程之餘,又以幽默的方式批判現實社會荒誕可笑的一面,是一部飽含成長紋路與影像趣味的精彩作品。長久允的未來十分令人期待!</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-61220726232037637352019-07-04T16:20:00.000+08:002019-07-04T17:09:13.068+08:00寄生上流-階梯與階級<br />
<div class="MsoNormal">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMMXoXnukJl5-19Xup4haoLHsA56B7eo8775JIW-ZOy8nyZOMPOsqqQSLwO322sfHiZrei20ROM0fVhc0UTyw6aC0hN567N2uxYLNr_LSKpXmxX2Gk3DXIO-1XqGqs8b3duncdpf5tzdw/s1600/fx_fpkr46751668_0001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMMXoXnukJl5-19Xup4haoLHsA56B7eo8775JIW-ZOy8nyZOMPOsqqQSLwO322sfHiZrei20ROM0fVhc0UTyw6aC0hN567N2uxYLNr_LSKpXmxX2Gk3DXIO-1XqGqs8b3duncdpf5tzdw/s400/fx_fpkr46751668_0001.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 奉俊昊的作品一向都是以精彩的娛樂性,包裝電影藝術上的微言大義。而此次奪下坎城金棕櫚的《寄生上流》,便是將娛樂與藝術拿捏得恰到好處的精彩作品。從電影第一顆鏡頭開始,奉俊昊便開始善用每個出現在電影中的符號象徵,並幾乎在每一場戲中,都做出了有趣的戲劇對比,凸顯出韓國社會階級結構的矛盾主題。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG8N0fRSp2wJ4OUMUI-cRvDXrAvpmie-EVfK6aCTMtPrw_rbBXOkWnkKvzpEvW7ubOLBmtnaLFnODEv4SB0CYXk1Xt_7i1XYW9k6bUVPSbQK6RcSjxPqgQG4ZiARdVgb6huNsJHvb_L7E/s1600/fx_fpkr46751668_0012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG8N0fRSp2wJ4OUMUI-cRvDXrAvpmie-EVfK6aCTMtPrw_rbBXOkWnkKvzpEvW7ubOLBmtnaLFnODEv4SB0CYXk1Xt_7i1XYW9k6bUVPSbQK6RcSjxPqgQG4ZiARdVgb6huNsJHvb_L7E/s400/fx_fpkr46751668_0012.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 奉俊昊在《寄生上流》中,將社會底層的金家生活景況,與居住在豪宅的朴家作出了物質及思想上的對比,另一方面則在又以側面筆法呈現韓國社會結構的失衡。比如父親金基澤駕駛技術熟練到獲得朴先生的稱讚,但他卻落魄到只能以折</span><span lang="EN-US">Pizza</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">盒的微薄收入養家。再如兒子金基宇考了四次大學皆落榜,但他卻已有實力成為他人的英文家教。而生活富裕的朴家,卻連收服頑皮的小兒子多頌都辦不到。這層對比凸顯出社會底層的人們並非沒有能力,卻因為社會不肯給予機會,使得這群真正能為社會服務的人,僅能屈居於社會底層。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 奉俊昊在片中以「<b>蟑螂</b>」形容這群人,並具象化的呈現底層小人物為何是「<b><i>開燈後,便會嚇得四處逃竄的蟑螂</i></b>」。所謂的燈,就是真相曝露的危機。當朴家因為大雨而取消露營返家後,金家人一面迅速的收拾「<b>殘局</b>」,一面慌亂的躲藏,這正是忠淑所言的蟑螂天性。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 同理,朴家的地下儲藏室別有洞天。前幫傭雯光的回來,揭露出在金家之前,早已有人寄生在朴家豪宅中的事實。相較於金基宇不斷地想擺脫社會底層的桎梏,以大學考試作為晉身的階梯,雯光與勤世反而難以晉身,只能暗地裡前往豪宅,在音樂或陽光下共舞,甚至成為偷吃食物的蟑螂。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9ym-XUzG2eX2x19EIxadas1dnrJCcWGwbAjdHlLt0KtOF1G82AIBzZfytRQDiQ-JDK-ipAji5Jm534lbj6C5JgR1nMMf7O60CkR8MVS2IKRMDZd5DEcmw1ot5DLQo7c6h2ax9mfH-rTE/s1600/fx_fpkr46751668_0017.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="479" data-original-width="720" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9ym-XUzG2eX2x19EIxadas1dnrJCcWGwbAjdHlLt0KtOF1G82AIBzZfytRQDiQ-JDK-ipAji5Jm534lbj6C5JgR1nMMf7O60CkR8MVS2IKRMDZd5DEcmw1ot5DLQo7c6h2ax9mfH-rTE/s400/fx_fpkr46751668_0017.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而在金家人一路從豪宅奔逃回家的連續鏡頭剪接下,奉俊昊將社會階級的位階高低以影像呈現在觀眾面前。朴家的豪宅位於斜坡上,從朴家到金家不只要沿著斜坡而下,還必須經過一大段向下的階梯。且階梯上與階梯下呈現的街容風景又全然不同,社會階級的高低,在這場戲便昭然若揭。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 如同希區考克以階梯的鏡頭語言,塑造《下坡路》中主角生命的沉淪,金家一家人走入地下室,亦讓他們的命運急轉直下,地下室的秘密成為金家人心頭揮之不去的夢魘。當雯光衝上豪宅,欲揭發金家罪行,則被忠淑一腳踢下樓梯,踢進了永不翻身的死亡結局,凸顯了金家江山更迭的主宰地位,及階級鬥爭的殘酷與醜態。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 至於勤世與金家人的結局,是無法僭越的社會階級之反諷。豪宅的生活並不屬於底層百姓,味道不能僭越,身份亦然。因此勤世與雯光以身死作為僭越的代價,金家則被打回了社會底層。不但最終一無所有,亦背負了罪名,這正是奉俊昊對社會結構僵化的諷刺。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyQKlhvjli2CTJ6kmJ-B9Rm-moeb3F7PATP6oBaGyabJ38PMmVOZlGtMedTgg48WSzP7SF-_vCKw2gH66a1bvQysZq4iKKUzXQoMddevre23WvfwjKZxXZOR1BTEUEfEz3QFDBCrSmFvY/s1600/fx_fpkr46751668_0019.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="478" data-original-width="720" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyQKlhvjli2CTJ6kmJ-B9Rm-moeb3F7PATP6oBaGyabJ38PMmVOZlGtMedTgg48WSzP7SF-_vCKw2gH66a1bvQysZq4iKKUzXQoMddevre23WvfwjKZxXZOR1BTEUEfEz3QFDBCrSmFvY/s400/fx_fpkr46751668_0019.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 有意思的是,朴家豪宅設計師南宮賢子,將階梯設計在開放空間的死角,被牆遮住的階梯便成了私密的所在。舉凡基宇和朴太太對話時,多蕙的偷聽,或是朴社長與妻子議論尹司機時,在階梯死角偷笑的基婷,甚至是忠淑在地下室接受雯光的求情,金家人在階梯的偷聽。在建築結構之下,階梯成了窺探他人隱私,及了解朴家運作方式的最佳「<b>制高點</b>」,所有的秘密皆因此無所遁形。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 奉俊昊在《寄生上流》中以各種不同的影像敘事層次與反差對比,對韓國的社會階級進行的批判。結尾略帶傷感的結局,不只是基宇那封可能無法傳達給父親的信的悲涼感,更多的是對自我生命的哀嘆。這份哀嘆來自於難以企及、不知能否實現的夢想,以及奉俊昊對於難以翻身的底層百姓,給予的那一點帶有憂傷色彩的關懷。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-46288922122947010122019-06-21T16:23:00.004+08:002019-06-21T18:07:02.275+08:00金錢性騙局-李子白蘭地<br />
<div class="MsoNormal">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihtCdbwfZWVdtdWGDEi4S1AgrVsPdQO31KaDhK51xQGpMI6Wz7YFXvS5lW-et56DegxXnmjQ806oLKxeJc5irMDrQytuhiblROa3Bw-OtcQKcKOu3F8tiqFlSNHv78HSLB9TWebdS1b5A/s1600/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihtCdbwfZWVdtdWGDEi4S1AgrVsPdQO31KaDhK51xQGpMI6Wz7YFXvS5lW-et56DegxXnmjQ806oLKxeJc5irMDrQytuhiblROa3Bw-OtcQKcKOu3F8tiqFlSNHv78HSLB9TWebdS1b5A/s400/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+01.jpg" width="400" /></a></div>
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 丹尼斯阿坎德(</span><span lang="EN-US">Denys
Arcand</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)編導的新作《金錢性騙局》是一部以一樁失風搶案和兩袋錢,巧妙的串起整部電影故事線的犯罪電影。不過丹尼斯阿坎德並不打算循著商業電影的套路,讓電影充滿強大的戲劇張力與動作場面。而是將自身對加拿大政府的不滿,以「<b>託言於事</b>」的方式一澆心中塊壘。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV0IyhSZt0tNzuz3mhFrD5h_wHZumPcMuw-2-O5tY-Vsdeqmq92fb15w2138uu9OC6asKoc_QJszMQHk-CUoS4JU1k9yjV4RMNj8mJ-vP7eswo8kwmryEjXzKrVN5T2sASE66NR_kozVY/s1600/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV0IyhSZt0tNzuz3mhFrD5h_wHZumPcMuw-2-O5tY-Vsdeqmq92fb15w2138uu9OC6asKoc_QJszMQHk-CUoS4JU1k9yjV4RMNj8mJ-vP7eswo8kwmryEjXzKrVN5T2sASE66NR_kozVY/s400/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+09.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 丹尼斯阿坎德在電影一開場就安排了一場精妙的戲。他讓男主角皮耶(</span><span lang="EN-US">Pierre</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)和即將分手的女友琳達(</span><span lang="EN-US">Linda</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在餐廳裡大談天才與笨蛋的理論,並對美國與加拿大的政府和政客大肆批評。這並非大家所熟知的分手場景,亦非犯罪電影慣用的開場,</span>但這樣的開場選擇讓觀眾在措手不及之餘,也獲得了驚喜。<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">編導丹尼斯阿坎德也在這場戲裡,藉由皮耶之口將炮口對準了政府。如此直接了當的作法,亦奠定了全片的風格基調。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan;">
<span lang="EN-US"><span style="mso-tab-count: 1;"> </span></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">不過皮耶在片頭大肆誇耀自己的聰明才智與天賦異稟,但面對天降橫財,他依舊對不義之財起心動念,亦敵不過肉慾的渴求。皮耶的作為和片頭自視甚高的言論背道而馳,但卻唯有凡夫的慾望與渴求,才能一路帶出化名為希思巴希(</span><span lang="EN-US">Aspasie</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的卡蜜兒(</span><span lang="EN-US">Camille</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)、剛出獄的洗錢高手畢格斯(</span><span lang="EN-US">Bigras</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)及其他綠葉角色。</span><span lang="EN-US" style="color: #444444; font-family: "verdana" , sans-serif; font-size: 10.0pt;"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH8UmA9CLIg2qN3V_XK7UkXI1Y7Es2fMZiYSKKHfQdSEOuYvdKsKG4Kn7tKXCQdBOGyuYgVGVdmF49jToALPjAtqOJNkf5dMhHOGAOyFdepTbFoc25dBCNeJGT4T8ZznMotUkR-U1H-6A/s1600/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH8UmA9CLIg2qN3V_XK7UkXI1Y7Es2fMZiYSKKHfQdSEOuYvdKsKG4Kn7tKXCQdBOGyuYgVGVdmF49jToALPjAtqOJNkf5dMhHOGAOyFdepTbFoc25dBCNeJGT4T8ZznMotUkR-U1H-6A/s400/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+04.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> </span><span lang="EN-US">Aspasie</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">這化名是希臘政治家伯里克里斯(</span><span lang="EN-US">Pericles</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的情人,亦是古希臘名妓,以美貌與智慧出眾而聞名,並扶持著</span><span lang="EN-US">Pericles</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">的政治生涯。電影裡的卡蜜兒是高級伴遊,亦有出眾的美貌與智慧。她一路上幫助皮耶將錢運到國外,如同古希臘的</span><span lang="EN-US">Aspasie</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">輔佐</span><span lang="EN-US">Pericles</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">施政一般,成了片中有趣的象徵與對照。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 然而不論是皮耶還是卡蜜兒,他們都是社會底層的百姓。皮耶以快遞員的微薄薪水維生,他無法給予琳達生活富庶的承諾,他只是你我生活周遭平凡寂寞的人。卡蜜兒以肉體周遊男人之間,她和前夫有著不愉快的過去,即便她住在皮耶畢生難以企及的豪宅內,她內心的寂寞與空虛也與皮耶無異。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr7K_uq2gOk445DzRmT4d9JgjE7AFZfqOvqoMxAzpiuqo99SOjvdEjsWW5yduBiSvoQbsjKDO1fpAAtF4C_2758pRaNRM6bQ-yISzjjwxrbtU1-hMuPRKomi7D8VmRcOpcdCPRJl6B3cA/s1600/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr7K_uq2gOk445DzRmT4d9JgjE7AFZfqOvqoMxAzpiuqo99SOjvdEjsWW5yduBiSvoQbsjKDO1fpAAtF4C_2758pRaNRM6bQ-yISzjjwxrbtU1-hMuPRKomi7D8VmRcOpcdCPRJl6B3cA/s400/%25E3%2580%258A%25E9%2587%2591%25E9%258C%25A2%25E6%2580%25A7%25E9%25A8%2599%25E5%25B1%2580%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E6%25B5%25B7%25E5%25A0%25B1+07.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 擅於投資的薛侯(</span><span lang="EN-US">Taschereau</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)不斷地從年輕女子中尋求情婦的變態渴求,背後也潛藏著亟欲被填滿的孤獨心境。他在片中說「<b><i>有錢能買到快樂</i></b>」的話,便是他心中孤寂感的體現。</span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 也因為角色的形塑與刻劃,使得薛侯辦公室牆上掛著愛德華.莫內(</span><span lang="EN-US">Édouard Manet</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的《李子白蘭地》畫作有了意義。這幅畫作是探討孤獨與寂寞的作品。畫中女子的眼神孤獨,帽子與胸口的繡花呈現了女子對美的追求,未點燃的香菸呈現出令她憂鬱的心事。這幅畫就像片中角色的生命投射,是皮耶、卡蜜拉、薛侯空有財富,內心卻無比空洞寂寞的寫照,也映照出眾多都市人的寂寞心聲。</span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWQVv4r6re-MgR2EXVSvX3yPXENleUbhSDoTJkVmbrI2OfJaqQtOZSLRwXknwNoVxJzz7JaQOGxThQdUwBEGRg9mzZjHbsDxOtO9C3BJyNQiVlyf6u_Sc15V3aAnQLN_IQCcpBppVJ87k/s1600/pn9293s5319440o0n401rpo4s5roo538.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="699" data-original-width="463" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWQVv4r6re-MgR2EXVSvX3yPXENleUbhSDoTJkVmbrI2OfJaqQtOZSLRwXknwNoVxJzz7JaQOGxThQdUwBEGRg9mzZjHbsDxOtO9C3BJyNQiVlyf6u_Sc15V3aAnQLN_IQCcpBppVJ87k/s640/pn9293s5319440o0n401rpo4s5roo538.jpg" width="422" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而隨著故事進行,皮耶的純真融化了卡蜜拉,卡蜜拉的溫柔也填補了皮耶的內心,使得彼此的生命逐漸圓滿,也漸漸的改變了兩人的生命路徑。編導丹尼斯阿坎德亦在片中從單方面針對加拿大稅改制度,貧富不均的猛烈批評砲火下,提出了他對遊民的關懷,以及對社會問題的解套與改造方向。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 只是《金錢性騙局》全片帶有編導個人過於強烈的自我意識與想法,使得電影的故事和觀眾之間產生了些微的距離感。但或許丹尼斯阿坎德的目的,是要讓皮耶一幫人成為加拿大國民的救世主,並使加拿大百姓獲得心靈上的慰藉與滿足。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">《李子白蘭地》圖檔取自〈新雅典的白蘭地〉一文:</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><a href="https://kknews.cc/culture/9gayyz5.html">https://kknews.cc/culture/9gayyz5.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-34982008594017591012019-06-14T16:08:00.000+08:002019-06-20T00:16:39.547+08:00莒哈絲的漫長等待-痛苦的層次<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglRcE6VuZt0lS3epcbpeY8PoD-VJAYcVyE0oWCYc3JLA-o5CpyXyN3jpFLAixMdKXvbdH-P0Dg06FRZMBTGV7cb7fR8DnIwyyjFvb2NFVsrL71H9NNFgV3CivC2kYvDoplCKOtBJU9jv0/s1600/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglRcE6VuZt0lS3epcbpeY8PoD-VJAYcVyE0oWCYc3JLA-o5CpyXyN3jpFLAixMdKXvbdH-P0Dg06FRZMBTGV7cb7fR8DnIwyyjFvb2NFVsrL71H9NNFgV3CivC2kYvDoplCKOtBJU9jv0/s400/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 《莒哈絲的漫長等待》是改編自作家瑪格麗特莒哈絲(</span><span lang="EN-US">Marguerite Duras</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">,原姓為</span><span lang="EN-US">Antelme</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的自傳小說《痛苦》。電影的原片名為《</span><span lang="EN-US">La douleur</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">》亦即小說書名「<b>痛苦</b>」。而小說的原名便直接點破了《莒哈絲的漫長等待》的故事核心。</span><br />
<a name='more'></a><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfMaMY_5L_hyphenhyphen54MQmjEJp0one1KzWEaZd7jY62YTxzBDcHB9KgX25L-sam7paXUDtN8Iry37se_84SLHcBR079JmOwXcwLZ0lcxwC1H7oDSekQMb6w5jhNYkMO0hk9AzqVSqq-EJvyVr0/s1600/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfMaMY_5L_hyphenhyphen54MQmjEJp0one1KzWEaZd7jY62YTxzBDcHB9KgX25L-sam7paXUDtN8Iry37se_84SLHcBR079JmOwXcwLZ0lcxwC1H7oDSekQMb6w5jhNYkMO0hk9AzqVSqq-EJvyVr0/s400/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+02.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span lang="EN-US" style="text-indent: 24pt;"><span style="mso-tab-count: 1;"> </span></span><span style="font-family: "新細明體" , serif; text-indent: 24pt;">「<b>痛苦</b>」的主題從電影一開始便開始透露端倪。在丈夫身邊,莒哈絲的愁眉不展和她的掩面,都透漏了痛苦的負面情緒。然而跟著故事繼續發展,觀眾看到莒哈絲為了讓丈夫回到身邊,無所不用其極地四處奔波。那份擔憂源自於莒哈絲心裡深處對丈夫侯貝最深層的愛意。為了丈夫,他甘願冒著反抗組織曝光的危險,接近能放她老公免於被送往集中營的蓋世太保哈比耶(</span><span lang="EN-US" style="text-indent: 24pt;">Rabier</span><span style="font-family: "新細明體" , serif; text-indent: 24pt;">),甚至不情願地和哈比耶有著若有似無的曖昧。當侯貝在卡車上被送往集中營,莒哈絲的情緒更凸顯了她對丈夫的在乎。那麼,片頭的莒哈絲的情緒就更啟人疑竇了。</span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="mso-tab-count: 1;"> </span></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">二次世界大戰結束後,全世界歡欣鼓舞,忙著慶祝、喝酒,但一群女性卻在歡樂的背後默默流淚。這群女人整天將自己的身體囚禁在家中或是火車站,將自己的心鎖在擔憂之情的牢籠中,寄望歸返的將士軍人們有那一抹能夠引爆內心狂喜情緒的熟悉身影。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjncjcsQoYhDl9cPpOjdxBukkQHLjjkSAnoxFMwUldOleG__cVwwvZu_nJTzEHeohfKovIQXf5sB8RTz8AORnijFrMDRz0rOMp4Etmlghvmyatw5b9TUFgboqdWZsRyFmazxjpROWQY4dQ/s1600/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjncjcsQoYhDl9cPpOjdxBukkQHLjjkSAnoxFMwUldOleG__cVwwvZu_nJTzEHeohfKovIQXf5sB8RTz8AORnijFrMDRz0rOMp4Etmlghvmyatw5b9TUFgboqdWZsRyFmazxjpROWQY4dQ/s400/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="mso-tab-count: 1;"> </span></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">然而當一批批的將士歸返,卻始終不見良人歸來,豈不焦躁?丈夫愛人死於戰場或集中營的思緒縈繞心頭,尤其當貝森的壕溝死屍上了報紙頭條,豈有不擔心受怕的道理?這些思緒如浪潮拍打般,將一個個深閨夢裡人捲入了情緒煉獄。當男人帶著傷痕與疲憊歸國時,女性卻仍舊困在戰火之中。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="mso-tab-count: 1;"> </span></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">而集中營戰俘布亨瓦的出現,本該削弱莒哈絲的擔憂之情,帶給莒哈絲情緒上的安慰。但布亨瓦提供的資訊過少,他只知道侯貝為了保護他人而反抗德軍,卻不知侯貝之後的去向。再加上貝森壕溝死屍的消息,反而增添了更多的不確定性,替莒哈絲增添了更多的哀愁,也使得往後的敘事手法做出了令人驚豔的轉變。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAtLfr1ziVzXpJXERHHGB-WYfhFgMVtcflmw9FPPsTrdawwU4XAF7SbucQmPXsPJijk7MKMNNhfvuViLqwDvZp_eXbpiMriq-6BNJuVQSXsvFMRVAYU2lsYnfMXrRN0c7xzpY3oc2kyqI/s1600/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAtLfr1ziVzXpJXERHHGB-WYfhFgMVtcflmw9FPPsTrdawwU4XAF7SbucQmPXsPJijk7MKMNNhfvuViLqwDvZp_eXbpiMriq-6BNJuVQSXsvFMRVAYU2lsYnfMXrRN0c7xzpY3oc2kyqI/s400/%25E3%2580%258A%25E8%258E%2592%25E5%2593%2588%25E7%25B5%25B2%25E7%259A%2584%25E6%25BC%25AB%25E9%2595%25B7%25E7%25AD%2589%25E5%25BE%2585%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+10.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">編導伊曼紐爾.芬柯(</span><span lang="EN-US">Emmanuel Finkiel</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)以二戰結束的時間點作為整部電影敘事手法轉變的分水嶺。前半段幾近平舖直敘,但後半段的敘事則偏向文學裡的意識流敘事手法,以莒哈絲內心的獨白與視角繼續推動故事的進行。尤其伊曼紐爾.芬柯並非以突兀的方式瞬間改變敘事,而是以「痛苦」的情緒漸近式堆疊、逐漸加強,並逐漸集中在莒哈絲身上。角色間的關係與故事進展本是清晰透徹,但這層認知卻隨著故事進行而愈加模糊。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">這樣的手法凸顯了莒哈絲在情緒上的累積與轉變,也更加集中與強化莒哈絲內心世界與周遭人物及環境的互動關係,使得電影的前半段與後半段就像是兩個不同的世界,替本片在敘事手法上加了不少分數。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="mso-tab-count: 1;"> </span></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">且後半段的敘事更加集中在女性角色身上,包括莒哈絲的兩名女性角色,一名等待丈夫歸來,一名則是等待被送往集中營的身障女兒。這兩名女性的勇敢與脆弱和莒哈絲相互輝映。回不來的只能哀悼,卡茲太太(</span><span lang="EN-US">Katz</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的命運令人垂憐。但回來的真的有比較快樂嗎?至少對莒哈絲來說是否定的。對她而言,她對侯貝的愛與痛苦所交織情感已成往事雲煙,對迪歐尼的愛與未來,才是她生命與情緒的出口。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-68795371492976535952019-05-31T15:59:00.000+08:002019-05-31T17:17:14.966+08:00過境情謎-在虛幻與現實之間<br />
<div class="MsoNormal">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_HmQSC_jIuQa9RO69o-vpw4OPfR5yA8GGgqqusa2Sx9c_uF_rhEYSUjvvKS51HNpkPI1Djoa6XEyiyLwvW5PA4NdLGhDuqGXh5zMdOL4Ju2O7TEm0gP7JTcT1ab4hdEtBFyPff7IUb7Y/s1600/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_HmQSC_jIuQa9RO69o-vpw4OPfR5yA8GGgqqusa2Sx9c_uF_rhEYSUjvvKS51HNpkPI1Djoa6XEyiyLwvW5PA4NdLGhDuqGXh5zMdOL4Ju2O7TEm0gP7JTcT1ab4hdEtBFyPff7IUb7Y/s320/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" style="cursor: move;" width="320" /></a></div>
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="mso-tab-count: 1;"> </span></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">《過境情謎》是部在敘事上有多層次的電影。而這些富有趣味層次的來源,源自於真假難辨的堆疊與對比的應用。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">從文本創作面來看,無論是安娜西格斯(</span><span lang="EN-US">Anna Seghers</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)將真實逃難經歷,或是建立在真實之上的虛構小說世界《過境》,甚至是編導克里斯汀佩佐(</span><span lang="EN-US">Christian Petzold</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的電影改編版,小說和電影都是虛構的,唯有西格斯的二戰逃難經驗是真的。不過作為一部作品,其具有魅力的地方,就在那虛構的世界裡,蘊藏感動觀眾及讀者的情感與希望。這正是文學或影像作品的迷人之處。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi73DOfUH1GJf7WdWUpXI7y329SJOqHT7ZpDi_tvrP0h9phBNh6RMr1qNpLAS6YVeEPlL3b3MdAhy93_QJpqJqywvErwDU71b7kr06uBqNrU_uLe0jkO4DlxYQPMnmhoSMHAfQAFKk6X8Q/s1600/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi73DOfUH1GJf7WdWUpXI7y329SJOqHT7ZpDi_tvrP0h9phBNh6RMr1qNpLAS6YVeEPlL3b3MdAhy93_QJpqJqywvErwDU71b7kr06uBqNrU_uLe0jkO4DlxYQPMnmhoSMHAfQAFKk6X8Q/s400/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+02.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">就電影文本而言,克里斯汀佩佐不斷地玩轉「<b>真實</b>」與「<b>虛假</b>」的敘事技法,逐漸堆疊建構出《過境情謎》的影像層次與文本厚度。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">作家維德爾(</span><span lang="EN-US">Videl</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的信與小說手稿,是蓋爾(</span><span lang="EN-US">Georg</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)逃離巴黎的求生希望。但假冒維德爾的他,卻也在馬賽失去了自己的身分,亦即失去了自我。為了前往墨西哥,他所做的一切都是以自我為出發點,所有的一切都是虛假的。唯一真實的是他對小男孩德里斯(</span><span lang="EN-US">Driss</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的父子情感,以及對瑪麗(</span><span lang="EN-US">Marie</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)的愛戀情感。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyzLktbImnlr_qQkojBIlo8IVq3okE_Ay6F-tE_kqAJ9ysIyxdcdibURn5bnJVHavsKG2YMAa94J73l7NSDbYFs_2IXTK83MJRX1CDhlyE-SGIJK2xJeWoAh_4ntA2QlOcLlLQr_BLED8/s1600/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyzLktbImnlr_qQkojBIlo8IVq3okE_Ay6F-tE_kqAJ9ysIyxdcdibURn5bnJVHavsKG2YMAa94J73l7NSDbYFs_2IXTK83MJRX1CDhlyE-SGIJK2xJeWoAh_4ntA2QlOcLlLQr_BLED8/s400/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+05.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">德里斯的生命中缺乏了父親的角色,當蓋爾唱了那首關於動物回家的搖籃曲、送德里斯的足球,甚至是踢球方式時,無意間也將自己的真心踢進了德里斯的心裡與生命裡,並在修理收音機時,填補了德里斯的生命缺乏。最好的證據是蓋爾在領事館裡,每一次望向窗外的鏡頭視角。每次特寫窗外的德里斯時,畫面中便充滿了父親對孩子的強烈情感。當德里斯病倒時,他尋找醫生時的焦躁,也凸顯了他對德里斯的關懷之情。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">不過對德里斯而言,美國領事館是他曾失去父親的地方。蓋爾走進領事館意味著背叛德里斯的真心,也因此當蓋爾踏進領事館的那一刻起,便注定失去他對家庭生活的嚮往。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSDxRJZN3WCxiILnLRnoUg7wA2ECioKoHJszBtyLPgwRkris5kZuaaLvj0_u2uhNkIBgzd8AbFqDSt9fkMlqAtEm8qOlOLGA6DRMebkJJ688Yg8M0LGuLP8LKMJBKdHEUdUk76DYCEZ8/s1600/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSDxRJZN3WCxiILnLRnoUg7wA2ECioKoHJszBtyLPgwRkris5kZuaaLvj0_u2uhNkIBgzd8AbFqDSt9fkMlqAtEm8qOlOLGA6DRMebkJJ688Yg8M0LGuLP8LKMJBKdHEUdUk76DYCEZ8/s400/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">至於瑪麗。蓋爾自麻田街與她初遇時,便因她的美麗而深深著迷。每次瑪麗在街道、窗外流動的身影,以及高跟鞋與地面敲擊的跫音,都牽動蓋爾對瑪麗動心的真情。他愛瑪麗,希望能取代維爾德與瑪麗相守一世,可惜瑪麗所做的一切都是以維爾德為出發點,這也注定了蓋爾悲劇性的結局。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">瑪麗對丈夫的真情完全顯露在她每次回眸與張望,以及急切的腳步聲裡,尤其瑪麗過於迅速的轉身與步伐節奏,都透露出瑪麗內心的擔憂。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">令人心碎的是,當她多次錯認蓋爾背影時,臉上的笑容又是何其幸福,但當蓋爾轉身後,笑容消散的速度又凸顯出瑪麗內心的失落程度。而當蓋爾告知瑪麗丈夫死訊時,瑪麗依舊相信丈夫會出現在船尾,特別令人心疼。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcQ7PJBdHx0jdo-9FYhyphenhyphenbGAr3LazdXKgnbCXG0TQqZUQnRETFJqn9owJ6UhAb3oTcDzU9E4fHsXzDLKGLk0mqu6iI9oJAmnpF0Ng_7Ip0P67Stmv3Jzq3Dt3omjPEoSIBcr4buM-NaihA/s1600/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcQ7PJBdHx0jdo-9FYhyphenhyphenbGAr3LazdXKgnbCXG0TQqZUQnRETFJqn9owJ6UhAb3oTcDzU9E4fHsXzDLKGLk0mqu6iI9oJAmnpF0Ng_7Ip0P67Stmv3Jzq3Dt3omjPEoSIBcr4buM-NaihA/s400/%25E3%2580%258A%25E9%2581%258E%25E5%25A2%2583%25E6%2583%2585%25E8%25AC%258E%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">相較於蓋爾決定追求現實,瑪麗則和蓋爾完全相反。醫生李察(</span><span lang="EN-US">Richard</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)及蓋爾對瑪麗而言只是短暫的心靈慰藉。他們對瑪麗的愛是真實的,但瑪麗卻始終選擇追逐丈夫的幻影,直到在前往港口的路上,她心心念念的仍舊是內心所深信的謊言。蓋爾與瑪麗,像是在馬賽相遇的兩個截然不同世界的人。而步步逼近的德軍,則將故事中的這些可憐人,推向必然的人生交叉口。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-indent: 24.0pt;">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">有趣的是,編導克里斯汀佩佐讓從頭到尾的都未出場的維德爾貫穿了整部電影,增加故事的厚度。他的手稿與妻子的書信,成了蓋爾通往墨西哥和瑪麗生活的通行證。蓋爾在馬賽假冒維德爾的身分,也不斷牽引著瑪麗的世界。而作為故事舞台的馬賽與風禿山咖啡館,則成為這群失意人的心靈港灣。尤其是咖啡館,是蓋爾與他人交流與相識之地,最後也成了希望的象徵。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe>
</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-34746147544704597472019-05-03T16:36:00.000+08:002019-05-08T14:25:02.378+08:00復仇者聯盟:終局之戰-溫柔的終點<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgt_zMtLthR-Dx8hX3SL8nlPjDDyVPGT9zGNXJv8U9vtSnf7eqkA-br7I4gDq8WFaK8SdhThW0QBli_oBJ4KHDDB-G9uEb86fXx_c0i3SDEboFLtU0nLuc3SqdnLq9outAi2IA4_NH3-k/s1600/fx_faen64154796_0044.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="421" data-original-width="800" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgt_zMtLthR-Dx8hX3SL8nlPjDDyVPGT9zGNXJv8U9vtSnf7eqkA-br7I4gDq8WFaK8SdhThW0QBli_oBJ4KHDDB-G9uEb86fXx_c0i3SDEboFLtU0nLuc3SqdnLq9outAi2IA4_NH3-k/s400/fx_faen64154796_0044.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 十一年來,漫威影業有意的建立電影宇宙,藉此打造影史創舉。更在第十年推出的《復仇者聯盟:無限之戰》讓電影反派薩諾斯(</span><span lang="EN-US">Thanos</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)成為電影敘事的中心角色,同時粉碎了英雄的不敗神話,達成英雄電影難以達成了全新里程碑。這次的《復仇者聯盟:終局之戰》(後文簡稱《終局之戰》)接續了前集的劇情,作為漫威十一年來階段的完結。然而相較於前集的劇本開拓與創新,《終局之戰》則以觀眾對英雄的情懷作為本集的特色。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4IKCP6luvtA9nL9Un2bttpiO5HhRlo4NWryGaNTSFex8XaUekvTkeNXS0KVRJrTht7O0Sl_Z8CJhC_vlMWZsiH0xkJ1LWXUzEooi-bmcuUdwAdSz96UD9gaUiSDZtkmFV8mgTINFf9jc/s1600/MV5BNTRmNDEzOTAtOGI0Yi00N2U1LTlhNDctNmQxMGFiNjk3ZmU4XkEyXkFqcGdeQXVyNjg2NjQwMDQ%2540._V1_SX1777_CR0%252C0%252C1777%252C937_AL_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="844" data-original-width="1600" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4IKCP6luvtA9nL9Un2bttpiO5HhRlo4NWryGaNTSFex8XaUekvTkeNXS0KVRJrTht7O0Sl_Z8CJhC_vlMWZsiH0xkJ1LWXUzEooi-bmcuUdwAdSz96UD9gaUiSDZtkmFV8mgTINFf9jc/s400/MV5BNTRmNDEzOTAtOGI0Yi00N2U1LTlhNDctNmQxMGFiNjk3ZmU4XkEyXkFqcGdeQXVyNjg2NjQwMDQ%2540._V1_SX1777_CR0%252C0%252C1777%252C937_AL_.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 電影中的英雄們往往都有難以忘懷的過去,這些事情在他們的心裡留下一道疤,造就了英雄的性格、幫助英雄成長,也影響了英雄未來的每一個決定。當羅素(</span><span lang="EN-US">Russo</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)兄弟企圖在《終局之戰》裡以「<b>量子領域</b>」發展的時空旅行的概念作為逆轉戰局的關鍵時,也掀起了英雄的傷疤,讓他們不得不正視。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 因此,時間旅行不再只是擊敗薩諾斯的方法,它是整部電影的中心樞紐,讓英雄們在面對外在威脅薩諾斯之外,還必須解決過去帶給他們的傷口。也因此當殘存的英雄們分批回到不同的時間點時,誰該回到什麼樣的時間點,在安排上就顯得相對重要了。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 就好比雷神索爾在人生中已失去太多,包括父母、愛情、兄弟乃至於國家等。接連的打擊讓他自我放棄。但是回到</span><span lang="EN-US">2013</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年後的這場母子對話戲卻有精彩的作用,一是讓索爾面對失去傷口的悼念,二是讓索爾在受到接連失去的打擊後,能在精神死亡之下重生。「<b><i>在未來過得不好嗎?</i></b>」、「<b><i>記得多吃沙拉</i></b>」看似詼諧幽默,但文句背後卻精準刻劃了母子的情感,也具有喚醒索爾內心的重要意義。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGcmypv2bXkdXUzYmi3xe18TQ0NIolacLp37D-gYx4emINrnKLQuTHfKC8MC1TlK0ezHnrO5jHFahkBYulGDbIOZiC7CfDneu4eEnIxTFg-2vLxw_n-soa3XVheKNQtwE5mc67qdNvhw4/s1600/fx_faen64154796_0034.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="421" data-original-width="800" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGcmypv2bXkdXUzYmi3xe18TQ0NIolacLp37D-gYx4emINrnKLQuTHfKC8MC1TlK0ezHnrO5jHFahkBYulGDbIOZiC7CfDneu4eEnIxTFg-2vLxw_n-soa3XVheKNQtwE5mc67qdNvhw4/s400/fx_faen64154796_0034.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 同樣的,鋼鐵人史塔克回到</span><span lang="EN-US">1970</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">年的紐澤西與父親相見,彼此大聊育兒經。不過父親那句「<b><i>孩子還沒出生,已經想盡力為他付出一切</i></b>」已在無形中填補了史塔克在少年時便失去父母的遺憾,和索爾的劇情成了有趣的對照組。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 當史塔克在結尾對薩諾斯說出「<b><i>我是鋼鐵人</i></b>」時,他不再是《鋼鐵人》結局裡的輕佻英雄,他深知在失去親人下成長的痛楚,但他更清楚自己的英雄使命與犧牲的必要性。史塔克接受命運的方式,正是在時空旅行中遇見父親所帶來的重要影響。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 至於美國隊長史蒂夫和卡特無法圓滿的愛情是他此生最大的遺憾。時空旅行讓他有了彌補缺憾的可能。那一支承諾過的舞,象徵性地成為史帝夫最美麗的結局。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaWTlaBZBsinAmM2AZ9Ei3RmUQbq_FlxyjoItboLCVY8HFxSa1OQpKpjT-pC_P91XgCK9YZWa-FSZIeQELF8J_AzG4CoEo-sMtLd1R7k74o771sRZgS3qNovEiD3faVjpupnf0HLWxHEs/s1600/fx_faen64154796_0028.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="422" data-original-width="800" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaWTlaBZBsinAmM2AZ9Ei3RmUQbq_FlxyjoItboLCVY8HFxSa1OQpKpjT-pC_P91XgCK9YZWa-FSZIeQELF8J_AzG4CoEo-sMtLd1R7k74o771sRZgS3qNovEiD3faVjpupnf0HLWxHEs/s400/fx_faen64154796_0028.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 羅素兄弟在《終局之戰》裡開枝散葉的拉扯出過去故事的劇情線,安排各個英雄在對抗外在威脅之餘,必須回到過去清理內在的心靈創口。有些英雄透過時空旅行讓傷口得到癒合或是釋懷。有些則成為新的傷口,如鷹眼克林特與黑寡婦娜塔莎。縱使觀眾對他們過去的故事所知不多,但可以知道「<b>復仇者聯盟</b>」連結了英雄們的情感,所有的英雄都是家人。尤其克林特與娜塔莎過去一同出任務的革命情感,一定比其他英雄更加深厚。因此無論是誰成為靈魂寶石的犧牲品,都將在彼此心頭劃出偌大的傷口。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 量子領域開啟了逆轉戰局的可能,也同時開啟了治療英雄們心理創口的旅程。正如片中所言:「<b><i>終點是旅程的一部分</i></b>」,羅素兄弟在《終局之戰》裡給予英雄們一個溫柔的情感歸宿、一段動人旅程的終點。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US"><o:p><br /></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">延伸閱讀:</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">〈復仇者聯盟:無限之戰</span><span lang="EN-US">-</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">衛星敘事〉</span><span lang="EN-US"><br />
<a href="https://victorstarmovies.blogspot.com/2018/05/3.html">https://victorstarmovies.blogspot.com/2018/05/3.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
〈電影閱讀筆記:漫威影業對影史的改寫、創舉及影響〉
<br />
<div class="MsoNormal">
<span lang="EN-US"><a href="https://www.facebook.com/victorstarmovies/photos/a.2400538636836261/2439265822963542/?type=3&theater">https://www.facebook.com/victorstarmovies/photos/a.2400538636836261/2439265822963542/?type=3&theater</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由開眼電影網授權使用:</span><span lang="EN-US"><br />
<a href="http://www.atmovies.com.tw/home/movie_homepage.html">http://www.atmovies.com.tw/home/movie_homepage.html</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0tag:blogger.com,1999:blog-4600771186861684622.post-49699415774890524632019-04-26T10:47:00.001+08:002019-04-26T14:03:08.377+08:00孟買夜未眠-用溫柔善待世界<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGvcniZAiTg1y4xAxDpvElelrAfFIBQ9AyJ5btkONkJiin1HFKfaGVuDPGNeEw2ur6zhYCkyU2S8eziTZLe0hw0xMGHuArErW1EjRVee67_IpdoowfaKmytgPbnkmJ8d7_Sb6xnSBbSIY/s1600/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGvcniZAiTg1y4xAxDpvElelrAfFIBQ9AyJ5btkONkJiin1HFKfaGVuDPGNeEw2ur6zhYCkyU2S8eziTZLe0hw0xMGHuArErW1EjRVee67_IpdoowfaKmytgPbnkmJ8d7_Sb6xnSBbSIY/s400/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+06.jpg" width="400" /></a></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 愛一個人要怎樣跨越不可能的高牆?追逐夢想與生活的同時,又必須在意多少文化傳統的偏見與質疑?身兼《孟買夜未眠》製片及編導羅希娜杰拉(</span><span lang="EN-US">Rohena Gera</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)在《孟買夜未眠》中,以寫實的筆觸不疾不徐的刻畫了印度人民的生活景況。並且適度的將複雜的故事線做了完美的調配,且消除了印度電影常有的矯揉造作,成就了充滿血肉與骨幹的寫實愛情電影。</span><br />
<a name='more'></a><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjfBjcq3OK0l1cWX27_AiQh9eRUCWCLTumKMLlAN59F9AWo6T7UxrWwuh4GAbu_pwPZYkYKzIkFF8itzGhNK_Bhxw5LK9_GT5-0NGleYc9OHzShkEYJYi80Ewoz-7OgpMtI1rCMcx4PeY/s1600/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjfBjcq3OK0l1cWX27_AiQh9eRUCWCLTumKMLlAN59F9AWo6T7UxrWwuh4GAbu_pwPZYkYKzIkFF8itzGhNK_Bhxw5LK9_GT5-0NGleYc9OHzShkEYJYi80Ewoz-7OgpMtI1rCMcx4PeY/s400/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+04.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 尤其主要角色的深度刻畫正是本片的精采處之一。故事中的要角艾許文(</span><span lang="EN-US">Ashwin</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)與拉特娜(</span><span lang="EN-US">Ratna</span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">)並非單純只有階級上的反差,而加入了更多背景故事,讓角色變得立體,提升了兩名角色的反差趣味。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 就角色塑造來說,十九歲便成為寡婦的拉特娜,在家鄉必須忍受村民對於她成為寡婦的異樣眼光。來到孟買後,反而因為幫傭的身分,必須承受社會階級地位帶給她的歧視與諸多不便。作為一名幫傭,只是打翻酒就被酸應該要扣薪水、進入精品服飾店被當賊,甚至學習裁縫還要被師傅利用。就連艾許文與陌生女子發生一夜情,藉此短暫彌補生命的空洞,即便拉特娜心裡再怎樣喜愛艾許文,也因為階級地位而無法多說什麼,這正是作為一名下人的悲哀。拉特娜所面臨的一切,以及從幫傭朋友那聽聞到的生活景況,都讓她更加確定文化傳統與世俗偏見是怎樣的牢牢將她捆綁住,致使她了解實現夢想有多遙不可及、跨越階級的愛情又是有多麼難以實現。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfFK8SmNw9C-S6KWpCGqAiTXYNanl_aIK4RHsCQGzGzc-KujnWy1qe5KjjIKoh_OnNSksclNsNNxSmim4sUVdBn8tD9vfINzdcnbbtb24QO9xQACPxKjp-gCyQOmAXo1ICkwdCrFmwZJg/s1600/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfFK8SmNw9C-S6KWpCGqAiTXYNanl_aIK4RHsCQGzGzc-KujnWy1qe5KjjIKoh_OnNSksclNsNNxSmim4sUVdBn8tD9vfINzdcnbbtb24QO9xQACPxKjp-gCyQOmAXo1ICkwdCrFmwZJg/s400/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+07.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 而艾許文因為婚禮取消及哥哥生病,導致他必須選擇放棄夢想,且未婚妻的背離和那本只寫了半本的小說,鑿穿了艾許文生活。使得偌大豪宅的多餘空間,成為艾許文生命的缺乏與空洞的體現。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 艾許文在孟買的生活如同行屍走肉,每天就是上班、回家吃飯、與躲在房間。不斷送禮與來電叨擾求和的無緣未婚妻,就如同艾許文甩不掉的痛苦夢魘,成了定時提醒他不能忘記痛苦根源的鬧鐘。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 艾許文與拉特娜的殊異,就像兩條反方向的箭頭,在孟買這座人口密集的城市裡有了交集。羅希娜杰拉藉由將兩名角色帶到「<b>孟買</b>」這座城市,從而賦予「<b>孟買</b>」有了失意人與追夢人彼此相識、相遇,進而相愛,甚至追夢的獨特意義。不只是呈現出孟買居民定居孟買的複雜原因,更使得孟買成為建立艾許文與拉特娜情感緣分的重要符號。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE6NLdPCYt3x7IDE8xM7TSfPAGZgVajyuA1cQf2OAT4BWVXt2QMtHXak38J8Hq3O6kzUPn-pq7X57WZAUjZIuqC1X43f_i7r36kZzmi_H0xhR3czLcFzzhWtkgxJk7xGbH-kxO209x0OI/s1600/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE6NLdPCYt3x7IDE8xM7TSfPAGZgVajyuA1cQf2OAT4BWVXt2QMtHXak38J8Hq3O6kzUPn-pq7X57WZAUjZIuqC1X43f_i7r36kZzmi_H0xhR3czLcFzzhWtkgxJk7xGbH-kxO209x0OI/s400/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+01.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 有意思的是羅希娜杰拉善用了拉特娜追求夢想的故事線,讓艾許文與拉特娜的主僕情感得以昇華。而最關鍵的情感信物,正是艾許文買給拉特娜的縫紉機。縫紉機是艾許文對拉特娜夢想的肯定,也是艾許文情感付出的實際體現。而拉特娜回報的衣服,亦是情感上的實際回報。兩個人不便說出口的愛情,便在這一來一往之間完成了真心誠意的交流。也正因為拉特娜了解縫紉機代表的意義,當她決定拒絕艾許文的示愛時,才會要求艾許文收回縫紉機。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhft8oRLCD8pUziaxGoDE0Nh8WvvGyeEbguwP-hoTggoqtASZoEgFvOWzddO4mIxv4oPCET2-mrKoZlWPJYYdOXjcSsG72cVYxEQtmcotyBT51_U063dHs6-ndchGFq3f13wVAj5naahts/s1600/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhft8oRLCD8pUziaxGoDE0Nh8WvvGyeEbguwP-hoTggoqtASZoEgFvOWzddO4mIxv4oPCET2-mrKoZlWPJYYdOXjcSsG72cVYxEQtmcotyBT51_U063dHs6-ndchGFq3f13wVAj5naahts/s400/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+08.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 至於拉特娜對艾許文的「<b>先生(</b></span><span lang="EN-US"><b>Sir</b></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><b>)</b>」稱呼,是主僕階級文化的認同,也是阻擋兩人愛情的高牆。當艾許文以設計師工作回報拉特娜,讓她有了晉升的機會後,也藉此擊破了階級的高牆。因此當「</span><span lang="EN-US"><b>Sir</b></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">」變成了「</span><span lang="EN-US"><b>Ashwin</b></span><span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">」,一切的不可能都變成了可能。這些巧妙的安排,實際上都是羅希娜杰拉對世俗階級與文化醜態的抨擊,最後又以夢想作為溫柔的反抗方式,解決階級看似的不可逆,完成了劇本第三幕最動人且高明的一手,讓觀眾看到羅希娜的說書本事。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLT5DsB4c2OEB2McE61aWIkC7V6qxlOfy6TmRBULAwM6R3SMY4lTTDo438EZRp6HWUghoMy4KW6trHKVHsun_XEuW42KCOwpRY8XCaFxRXOxjFPIvCHkRUuJCGhZJ4qv0B-Xubtf0nhyphenhyphenU/s1600/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="865" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLT5DsB4c2OEB2McE61aWIkC7V6qxlOfy6TmRBULAwM6R3SMY4lTTDo438EZRp6HWUghoMy4KW6trHKVHsun_XEuW42KCOwpRY8XCaFxRXOxjFPIvCHkRUuJCGhZJ4qv0B-Xubtf0nhyphenhyphenU/s400/%25E3%2580%258A%25E5%25AD%259F%25E8%25B2%25B7%25E5%25A4%259C%25E6%259C%25AA%25E7%259C%25A0%25E3%2580%258B%25E9%259B%25BB%25E5%25BD%25B1%25E5%258A%2587%25E7%2585%25A7+10.jpg" width="400" /></a></div>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span>
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;"> 尤其當拉特娜的妹妹裘蒂選擇了不同的人生方向、艾許文換了鎖,意味著艾許文決定回頭追逐小說家的夢想,所有人的人生道路就此豁然開朗,完整呈現出編導羅希娜對於人生與夢想的觀念與態度。讓觀眾了解,無論世界與人生多殘酷,只要溫柔的善待這世界、善待人生,命運將帶來最動人的能量及可能性。</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">以上劇照由佳映娛樂提供</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "新細明體" , serif; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">文翼電影光譜粉絲團:<iframe allowtransparency="true" frame="" scrolling="no" src="//www.facebook.com/v2.5/plugins/page.php?href=https://www.facebook.com/%E6%96%87%E7%BF%BC%E9%9B%BB%E5%BD%B1%E5%85%89%E8%AD%9C-1846564082233722/?ref=aymt_homepage_panel&width=500&show_facepile=true&small_header=false&hide_cover=false&show_posts=true&locale=zh_TW" style="border: none; height: 500px; overflow: hidden; width: 100%;"></iframe></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />文翼電影光譜http://www.blogger.com/profile/14329004371400203093noreply@blogger.com0